Strakosch, Maurice and Max (brothers)  &lt;p&gt;Maurice and Max Strakosch were brothers who emigrated from Austria. Their connection to the Pfaff&amp;#39;s circle is tenuous; only two known sources tie them to Pfaff&amp;#39;s directly. Furthermore, the sources indicate that contemporaries may have confused Maurice and Max with one another.&lt;/p&gt;&lt;p&gt;Maurice Strakosch was born in Moravia, of the Austrian-Hungarian Empire sometime around 1824. He quickly demonstrated a unique gift for music, performing as a concert pianist at the age of eleven. His musical talents also extended to opera where he gained renowned as a tenor. (&lt;span id=&quot;docs-internal-guid-292707d6-f367-b909-ab66-1754c56df025&quot;&gt;&amp;ldquo;Death of Maurice Strakosch,&amp;rdquo; &lt;/span&gt;&lt;em&gt;The New York Times, &lt;/em&gt;October 10, 1887; &amp;ldquo;Forty Years A Manager,&amp;rdquo; &lt;em&gt;The New York Times, &lt;/em&gt;October 11, 1887) In 1843 he moved to New York to travel with Salvatore Patti, another tenor who managed a traveling opera troupe. (&amp;ldquo;Forty Years A Manager,&amp;rdquo;&lt;em&gt; The New York Times&lt;/em&gt;, October 11, 1887; Katherine K. Preston, &lt;em&gt;Opera on the Road: Traveling Opera Troupes in the United States 1825-1860&lt;/em&gt;, pg 129-130, 145). &lt;span id=&quot;docs-internal-guid-292707d6-f363-04c0-bf95-28067550fd25&quot;&gt;Maurice eventually managed his own troupes for a number of years, composing and performing his own pieces along the way (Preston, &lt;em&gt;Opera on the Road, &lt;/em&gt;203, 251)&lt;/span&gt;. Maurice began his own company and developed a partnership with Bernard Ullman, which lasted until 1860. The two may have met at Pfaff&amp;#39;s to discuss their careers (Lause, 59). One of the few sources that places Maurice in the Pfaff&amp;#39;s circle is a recollection of journalist Charles Godfrey Leland who remembered Maurice as &amp;ldquo;hard to deal with and irritable&amp;rdquo; (&lt;cite&gt;Memoirs&lt;/cite&gt; 344). Maurice died in Paris on October 9, 1887 (&lt;span id=&quot;docs-internal-guid-292707d6-f367-b909-ab66-1754c56df025&quot;&gt;&amp;ldquo;Death of Maurice Strakosch,&amp;rdquo; &lt;/span&gt;&lt;em&gt;The New York Times, &lt;/em&gt;October 10, 1887; &amp;ldquo;Forty Years A Manager,&amp;rdquo; &lt;em&gt;The New York Times, &lt;/em&gt;October 11, 1887).&lt;/p&gt;&lt;p&gt;Max Strakosch was born in Moravia, of the Austrian-Hungarian Empire on September 27, 1835. He followed his brother to the United States in 1853. He was not known as a musical performer as was his brother, but Max did gain recognition as&amp;nbsp;a theatre manager and impresario. In January, 1862, Max wrote a letter to Gottschalk offering him the chance for a round of American concerts. Gottschalk accepted and began the concert series in New York in February (G. Chase 296). After Maurice left to tour Europe and manage his sister-in-law Adelina Patti&amp;rsquo;s concerts, Max remained in the United States and continued to put on operatic performances, including &lt;cite&gt;Don Pasquale&lt;/cite&gt;, &lt;cite&gt;Norma, Il Trovatore, La Favorita, Don Giovanni&lt;/cite&gt;, and &lt;cite&gt;Lucrezia Borgia&lt;/cite&gt; (Tompkins and Kilby 156, 225). Max frequently found himself arguing with creditors and city officials as he tried to pursue his management career. &lt;span id=&quot;docs-internal-guid-292707d6-f370-671a-3e81-c25bb34cccc3&quot;&gt;In the fall of 1874 Max sued the New York City Police Commissioner who had broken up some of Max&amp;rsquo;s performances in order to &amp;ldquo;preserve the peace.&amp;rdquo; Max contended that the police were not concerned with preserving order, but only wanted to shut down his performance because it was performed on a Sunday (&amp;ldquo;Sunday Concerts: Is the Law Forbidding Them Constitutional - The Case of Max Strakosch against the Police Commissioners&amp;rdquo; &lt;/span&gt;&lt;em&gt;The New York Times, &lt;/em&gt;November 26, 1874). Not unlike many impresarios, Max struggled to maintain the finances necessary for the production of his shows (&lt;span id=&quot;docs-internal-guid-292707d6-f36c-9cb1-e0d4-52575bae60b3&quot;&gt;&amp;ldquo;Max Strakosch Bankrupt,&amp;rdquo; &lt;/span&gt;&lt;em&gt;The New York Times, &lt;/em&gt;May 27 1881). In 1878 Max was &lt;span id=&quot;docs-internal-guid-292707d6-f36f-e1d4-eaff-1fe35039d101&quot;&gt;sued for a breach of contract of marriage and attempting to seduce a woman (&amp;ldquo;Max Strakosch&amp;rsquo;s Trouble,&amp;rdquo; &lt;/span&gt;&lt;em&gt;The New York Times, &lt;/em&gt;June, 14 1878). He did achieve a measure of success and in 1883 Max opened his own theatre in New York (&lt;span id=&quot;docs-internal-guid-292707d6-f36c-f1c7-203e-1c0947005b56&quot;&gt;&amp;ldquo;Max Strakosch&amp;rsquo;s New Theatre,&amp;rdquo; &lt;/span&gt;&lt;em&gt;The New York Times, &lt;/em&gt;June 1, 1883). In the obituary of Charles Ignatius Pfaff, Max is mentioned as one of the &amp;quot;Knights of the Round Table&amp;quot; who had made their impression on the establishment (&amp;quot;In and about the City: Death of Charles I. Pfaff,&amp;quot; 2) In 1888 Max fell ill and struggled with his health for the remaining four years. He died &lt;span id=&quot;docs-internal-guid-292707d6-f372-8c3c-aa00-88015ce1408c&quot;&gt;on March 17, 1892 (&amp;ldquo;Max Strakosch Dead,&amp;rdquo; &lt;/span&gt;&lt;em&gt;The New York Times &lt;/em&gt;March 18, 1892).&lt;/p&gt;

References & Biographical Resources\n";
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&lt;article data-history-node-id=&quot;59022&quot; about=&quot;/node/59022&quot; class=&quot;node node--type-work node--view-mode-bibliography-link&quot;&gt;
&lt;div class=&quot;node__content&quot;&gt;
&lt;a href=&quot;/node/59022&quot;&gt;&quot;Appletons&amp;#039; Cyclopaedia of American Biography, Volume V, Pickering-Sumter.&quot; In &lt;em&gt;Appletons&amp;#039; Cyclopaedia of American Biography, Volume V, Pickering-Sumter&lt;/em&gt;, edited by Wilson, James Grant and John Fiske. New York: D. Appleton &amp;amp; Co., 1888.&lt;/a&gt;
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&lt;p class=&quot;list-group-item-text&quot;&gt;&lt;div class=&quot;views-field views-field-field-mention-note&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;p&gt;&quot;His piano compositions were once very popular, among them the music of one of Bayard Taylor&#039;s songs&quot; (716).&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-field-mention-pages&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;[pages: 716]&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-edit-node&quot;&gt;&lt;span class=&quot;field-content&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;/p&gt;
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&lt;article data-history-node-id=&quot;58959&quot; about=&quot;/node/58959&quot; class=&quot;node node--type-work node--view-mode-bibliography-link&quot;&gt;
&lt;div class=&quot;node__content&quot;&gt;
&lt;a href=&quot;/node/58959&quot;&gt;Chase, Gilbert. &lt;em&gt;America’s Music: from Pilgrims to the Present&lt;/em&gt;. Urbana: UP Illinois, 1987.&lt;/a&gt;
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&lt;p class=&quot;list-group-item-text&quot;&gt;&lt;div class=&quot;views-field views-field-field-mention-note&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;p&gt;In January, 1862, he wrote a letter to Gottschalk offering him the chance for a round of American concerts. Gottschalk accepted and began the concert series in New York in February, soon lending his sympathetic support to the Union cause. &lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-field-mention-pages&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;[pages: 296]&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-edit-node&quot;&gt;&lt;span class=&quot;field-content&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;/p&gt;
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&lt;div class=&quot;node__content&quot;&gt;
&lt;a href=&quot;/node/56858&quot;&gt;Figaro [Clapp, Henry Jr.]. &quot;Dramatic Feuilleton.&quot; &lt;em&gt;New York Saturday Press&lt;/em&gt;, August 19, 1865, 40-41.&lt;/a&gt;
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&lt;p class=&quot;list-group-item-text&quot;&gt;&lt;div class=&quot;views-field views-field-field-mention-note&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-field-mention-pages&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-edit-node&quot;&gt;&lt;span class=&quot;field-content&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;/p&gt;
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&lt;article data-history-node-id=&quot;58960&quot; about=&quot;/node/58960&quot; class=&quot;node node--type-work node--view-mode-bibliography-link&quot;&gt;
&lt;div class=&quot;node__content&quot;&gt;
&lt;a href=&quot;/node/58960&quot;&gt;&lt;em&gt;Illustrated New York. The Metropolis of To-day&lt;/em&gt;. NY: International Publishing Co., 1888.&lt;/a&gt;
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&lt;/article&gt;
&lt;p class=&quot;list-group-item-text&quot;&gt;&lt;div class=&quot;views-field views-field-field-mention-note&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;p&gt;The text mentions that Gramercy Park between 20th and 21st streets and 3rd and 4th Avenues is the &quot;abode of many old families&quot; (80) including Max Strakosch.&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-field-mention-pages&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;[pages: 80]&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-edit-node&quot;&gt;&lt;span class=&quot;field-content&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;/p&gt;
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&lt;article data-history-node-id=&quot;55807&quot; about=&quot;/node/55807&quot; class=&quot;node node--type-work node--view-mode-bibliography-link&quot;&gt;
&lt;div class=&quot;node__content&quot;&gt;
&lt;a href=&quot;/node/55807&quot;&gt;&quot;In and about the City: Death of Charles I. Pfaff. Something about the Proprietor of the Once Famous &amp;quot;Bohemia.&amp;quot;.&quot; &lt;em&gt;New York Times&lt;/em&gt;, April 26, 1890, 2.&lt;/a&gt;
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&lt;p class=&quot;list-group-item-text&quot;&gt;&lt;div class=&quot;views-field views-field-field-mention-note&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;p&gt;The obituary identifies him as one of the &quot;Knights of the Round Table&quot; of the &quot;lions of Bohemia.&quot;&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-field-mention-pages&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;[pages: 2]&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-edit-node&quot;&gt;&lt;span class=&quot;field-content&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;/p&gt;
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&lt;article data-history-node-id=&quot;59827&quot; about=&quot;/node/59827&quot; class=&quot;node node--type-work node--view-mode-bibliography-link&quot;&gt;
&lt;div class=&quot;node__content&quot;&gt;
&lt;a href=&quot;/node/59827&quot;&gt;Kellogg, Clara Louise. &lt;em&gt;Memoirs of an American Prima Donna&lt;/em&gt;. New York : G. P. Putnam&amp;#039;s Sons, 1913.&lt;/a&gt;
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&lt;p class=&quot;list-group-item-text&quot;&gt;&lt;div class=&quot;views-field views-field-field-mention-note&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-field-mention-pages&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;[pages: 200-201,204-205,240,289,292,294-296,300,303,359]&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-edit-node&quot;&gt;&lt;span class=&quot;field-content&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;/p&gt;
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&lt;article data-history-node-id=&quot;60173&quot; about=&quot;/node/60173&quot; class=&quot;node node--type-work node--view-mode-bibliography-link&quot;&gt;
&lt;div class=&quot;node__content&quot;&gt;
&lt;a href=&quot;/node/60173&quot;&gt;Lause, Mark A. &lt;em&gt;The Antebellum Crisis and America&amp;#039;s First Bohemians&lt;/em&gt;. Kent, OH: Kent State University Press, 2009.&lt;/a&gt;
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&lt;/article&gt;
&lt;p class=&quot;list-group-item-text&quot;&gt;&lt;div class=&quot;views-field views-field-field-mention-note&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-field-mention-pages&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-edit-node&quot;&gt;&lt;span class=&quot;field-content&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;/p&gt;
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&lt;article data-history-node-id=&quot;57886&quot; about=&quot;/node/57886&quot; class=&quot;node node--type-work node--view-mode-bibliography-link&quot;&gt;
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&lt;a href=&quot;/node/57886&quot;&gt;Leland, Charles Godfrey. &lt;em&gt;Memoirs&lt;/em&gt;. New York: D. Appleton &amp;amp; Co., 1893.&lt;/a&gt;
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&lt;p class=&quot;list-group-item-text&quot;&gt;&lt;div class=&quot;views-field views-field-field-mention-note&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;p&gt;Leland mentions Max&#039;s brother, with whom he collaborated in business, as &quot;hard to deal with and irritable.&quot;&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-field-mention-pages&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;[pages: 344]&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-edit-node&quot;&gt;&lt;span class=&quot;field-content&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;/p&gt;
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&lt;article data-history-node-id=&quot;55929&quot; about=&quot;/node/55929&quot; class=&quot;node node--type-work node--view-mode-bibliography-link&quot;&gt;
&lt;div class=&quot;node__content&quot;&gt;
&lt;a href=&quot;/node/55929&quot;&gt;Miller, Tice L. &lt;em&gt;Bohemians and Critics: American Theatre Criticism in the Nineteenth Century&lt;/em&gt;. Metuchen, NJ: The Scarecrow Press, 1981.&lt;/a&gt;
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&lt;/article&gt;
&lt;p class=&quot;list-group-item-text&quot;&gt;&lt;div class=&quot;views-field views-field-field-mention-note&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;p&gt;Listed as Maurice Strakosch. Director of the American Company performance group.&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-field-mention-pages&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;[pages: 45]&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-edit-node&quot;&gt;&lt;span class=&quot;field-content&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;/p&gt;
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&lt;article data-history-node-id=&quot;56556&quot; about=&quot;/node/56556&quot; class=&quot;node node--type-work node--view-mode-bibliography-link&quot;&gt;
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&lt;a href=&quot;/node/56556&quot;&gt;Odell, George C.D. &lt;em&gt;Annals of the New York Stage: Volume VIII (1865-1870)&lt;/em&gt;. New York:Columbia University Press, 1936.&lt;/a&gt;
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&lt;/article&gt;
&lt;p class=&quot;list-group-item-text&quot;&gt;&lt;div class=&quot;views-field views-field-field-mention-note&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;p&gt;In the 1866-67 season he assembled the Max Strakosch Alliance which put on a &quot;grand inaugural concert&quot; Oct. 1, 1866 at Cooper Institute (228).&lt;/p&gt;
&lt;p&gt;Strakocsh and Maretzeck were the team with &quot;wretched management&quot; of the Academy of Music that could not bring Adelina Patti (diva) to their stage (374).Odell mentions that in the 1868-69 season they presented Clara Lousie Kellogg, who had had success in Europe, at the Academy of Music, in concerts ending with the third act of &lt;cite&gt;Faust&lt;/cite&gt;.This was quite a popular concert series (471).&lt;/p&gt;
&lt;p&gt;It is important to note that Max Strakosch is NOT Maurice Strakosch - they are brothers.Maurice was married to Amalia Patti and helped her sister Adelina get her very successful career started (653).&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-field-mention-pages&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;[pages: 228,374,471,653,682]&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-edit-node&quot;&gt;&lt;span class=&quot;field-content&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;/p&gt;
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&lt;article data-history-node-id=&quot;55847&quot; about=&quot;/node/55847&quot; class=&quot;node node--type-work node--view-mode-bibliography-link&quot;&gt;
&lt;div class=&quot;node__content&quot;&gt;
&lt;a href=&quot;/node/55847&quot;&gt;Odell, George Clinton. &lt;em&gt;Annals of the New York Stage: Volume VI (1850-1857)&lt;/em&gt;. New York: Columbia University Press, 1931.&lt;/a&gt;
&lt;/div&gt;
&lt;/article&gt;
&lt;p class=&quot;list-group-item-text&quot;&gt;&lt;div class=&quot;views-field views-field-field-mention-note&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;p&gt;(Information here may also be for his brother, Maurice.)Strakosch served as pianist in a concert of Maretzke on Jan. 11, 1851, at Tripler Hall. He seems to have been a figure in the concert scene from 1850-56; his wife also played with him. At the Academy, in late January of 1857 (575), he conducted the opera, subsequently starting a new season of opera that February.He held concerts in Brooklyn in the 1856-57 season and also ran a series of 4 subscription concerts for which advertisments in the &lt;cite&gt;Star&lt;/cite&gt; and the &lt;cite&gt;New York Herald&lt;/cite&gt; stop around Jan 24 - the date of the first concert.Because of this, Odell is unsure whether the shows at the Athenaeum (scheduled for 1/24, 1/31, 2/5, 2/12 $1 admission + $0.50 for reserved seating) ever ran (601).&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-field-mention-pages&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;[pages: 92,265,502,507,575,576,600,601]&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-edit-node&quot;&gt;&lt;span class=&quot;field-content&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;/p&gt;
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&lt;article data-history-node-id=&quot;55935&quot; about=&quot;/node/55935&quot; class=&quot;node node--type-work node--view-mode-bibliography-link&quot;&gt;
&lt;div class=&quot;node__content&quot;&gt;
&lt;a href=&quot;/node/55935&quot;&gt;Odell, George Clinton. &lt;em&gt;Annals of the New York Stage: Volume VII (1857-1865)&lt;/em&gt;. New York: Columbia University Press, 1931.&lt;/a&gt;
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&lt;/article&gt;
&lt;p class=&quot;list-group-item-text&quot;&gt;&lt;div class=&quot;views-field views-field-field-mention-note&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;p&gt;Strakosch brought distinguished instrumentalists to New York on Feb.13, 1865 for the 1864-65 musical season at Niblo&#039;s Saloon.&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-field-mention-pages&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;[pages: 694]&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-edit-node&quot;&gt;&lt;span class=&quot;field-content&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;/p&gt;
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&lt;article data-history-node-id=&quot;57452&quot; about=&quot;/node/57452&quot; class=&quot;node node--type-work node--view-mode-bibliography-link&quot;&gt;
&lt;div class=&quot;node__content&quot;&gt;
&lt;a href=&quot;/node/57452&quot;&gt;Personne [Wilkins, Edward G. P.]. &quot;Dramatic Feuilleton.&quot; &lt;em&gt;New-York Saturday Press&lt;/em&gt;, April 14, 1860, 3.&lt;/a&gt;
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&lt;/article&gt;
&lt;p class=&quot;list-group-item-text&quot;&gt;&lt;div class=&quot;views-field views-field-field-mention-note&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-field-mention-pages&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-edit-node&quot;&gt;&lt;span class=&quot;field-content&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;/p&gt;
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&lt;article data-history-node-id=&quot;59147&quot; about=&quot;/node/59147&quot; class=&quot;node node--type-work node--view-mode-bibliography-link&quot;&gt;
&lt;div class=&quot;node__content&quot;&gt;
&lt;a href=&quot;/node/59147&quot;&gt;Personne [Wilkins, Edward G. P.]. &quot;Dramatic Feuilleton.&quot; &lt;em&gt;New York Saturday Press&lt;/em&gt;, April 16, 1859, 2.&lt;/a&gt;
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&lt;p class=&quot;list-group-item-text&quot;&gt;&lt;div class=&quot;views-field views-field-field-mention-note&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-field-mention-pages&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-edit-node&quot;&gt;&lt;span class=&quot;field-content&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;/p&gt;
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&lt;article data-history-node-id=&quot;59122&quot; about=&quot;/node/59122&quot; class=&quot;node node--type-work node--view-mode-bibliography-link&quot;&gt;
&lt;div class=&quot;node__content&quot;&gt;
&lt;a href=&quot;/node/59122&quot;&gt;Personne [Wilkins, Edward G. P.]. &quot;Dramatic Feuilleton.&quot; &lt;em&gt;New York Saturday Press&lt;/em&gt;, April 23, 1859, 2.&lt;/a&gt;
&lt;/div&gt;
&lt;/article&gt;
&lt;p class=&quot;list-group-item-text&quot;&gt;&lt;div class=&quot;views-field views-field-field-mention-note&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-field-mention-pages&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-edit-node&quot;&gt;&lt;span class=&quot;field-content&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;/p&gt;
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&lt;article data-history-node-id=&quot;59074&quot; about=&quot;/node/59074&quot; class=&quot;node node--type-work node--view-mode-bibliography-link&quot;&gt;
&lt;div class=&quot;node__content&quot;&gt;
&lt;a href=&quot;/node/59074&quot;&gt;Personne [Wilkins, Edward G. P.]. &quot;Dramatic Feuilleton.&quot; &lt;em&gt;New York Saturday Press&lt;/em&gt;, April 30, 1859, 2.&lt;/a&gt;
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&lt;/article&gt;
&lt;p class=&quot;list-group-item-text&quot;&gt;&lt;div class=&quot;views-field views-field-field-mention-note&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-field-mention-pages&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-edit-node&quot;&gt;&lt;span class=&quot;field-content&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;/p&gt;
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&lt;article data-history-node-id=&quot;57606&quot; about=&quot;/node/57606&quot; class=&quot;node node--type-work node--view-mode-bibliography-link&quot;&gt;
&lt;div class=&quot;node__content&quot;&gt;
&lt;a href=&quot;/node/57606&quot;&gt;Personne [Wilkins, Edward G. P.]. &quot;Dramatic Feuilleton.&quot; &lt;em&gt;New York Saturday Press&lt;/em&gt;, February 14, 1860, 3.&lt;/a&gt;
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&lt;/article&gt;
&lt;p class=&quot;list-group-item-text&quot;&gt;&lt;div class=&quot;views-field views-field-field-mention-note&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-field-mention-pages&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-edit-node&quot;&gt;&lt;span class=&quot;field-content&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;/p&gt;
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&lt;article data-history-node-id=&quot;58722&quot; about=&quot;/node/58722&quot; class=&quot;node node--type-work node--view-mode-bibliography-link&quot;&gt;
&lt;div class=&quot;node__content&quot;&gt;
&lt;a href=&quot;/node/58722&quot;&gt;Personne [Wilkins, Edward G. P.]. &quot;Dramatic Feuilleton.&quot; &lt;em&gt;New York Saturday Press&lt;/em&gt;, July 12, 1859, 3.&lt;/a&gt;
&lt;/div&gt;
&lt;/article&gt;
&lt;p class=&quot;list-group-item-text&quot;&gt;&lt;div class=&quot;views-field views-field-field-mention-note&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-field-mention-pages&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-edit-node&quot;&gt;&lt;span class=&quot;field-content&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;/p&gt;
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&lt;article data-history-node-id=&quot;56172&quot; about=&quot;/node/56172&quot; class=&quot;node node--type-work node--view-mode-bibliography-link&quot;&gt;
&lt;div class=&quot;node__content&quot;&gt;
&lt;a href=&quot;/node/56172&quot;&gt;Personne [Wilkins, Edward G. P.]. &quot;Dramatic Feuilleton.&quot; &lt;em&gt;New-York Saturday Press&lt;/em&gt;, July 23, 1859, 2.&lt;/a&gt;
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&lt;/article&gt;
&lt;p class=&quot;list-group-item-text&quot;&gt;&lt;div class=&quot;views-field views-field-field-mention-note&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-field-mention-pages&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-edit-node&quot;&gt;&lt;span class=&quot;field-content&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;/p&gt;
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&lt;article data-history-node-id=&quot;58859&quot; about=&quot;/node/58859&quot; class=&quot;node node--type-work node--view-mode-bibliography-link&quot;&gt;
&lt;div class=&quot;node__content&quot;&gt;
&lt;a href=&quot;/node/58859&quot;&gt;Personne [Wilkins, Edward G. P.]. &quot;Dramatic Feuilleton.&quot; &lt;em&gt;New York Saturday Press&lt;/em&gt;, June 18, 1859, 2-3.&lt;/a&gt;
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&lt;/article&gt;
&lt;p class=&quot;list-group-item-text&quot;&gt;&lt;div class=&quot;views-field views-field-field-mention-note&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-field-mention-pages&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-edit-node&quot;&gt;&lt;span class=&quot;field-content&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;/p&gt;
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&lt;article data-history-node-id=&quot;58780&quot; about=&quot;/node/58780&quot; class=&quot;node node--type-work node--view-mode-bibliography-link&quot;&gt;
&lt;div class=&quot;node__content&quot;&gt;
&lt;a href=&quot;/node/58780&quot;&gt;Personne [Wilkins, Edward G. P.]. &quot;Dramatic Feuilleton.&quot; &lt;em&gt;New York Saturday Press&lt;/em&gt;, June 25, 1859, 3.&lt;/a&gt;
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&lt;/article&gt;
&lt;p class=&quot;list-group-item-text&quot;&gt;&lt;div class=&quot;views-field views-field-field-mention-note&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-field-mention-pages&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-edit-node&quot;&gt;&lt;span class=&quot;field-content&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;/p&gt;
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&lt;article data-history-node-id=&quot;57523&quot; about=&quot;/node/57523&quot; class=&quot;node node--type-work node--view-mode-bibliography-link&quot;&gt;
&lt;div class=&quot;node__content&quot;&gt;
&lt;a href=&quot;/node/57523&quot;&gt;Personne [Wilkins, Edward G. P.]. &quot;Dramatic Feuilleton.&quot; &lt;em&gt;New-York Saturday Press&lt;/em&gt;, March 10, 1860, 3.&lt;/a&gt;
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&lt;/article&gt;
&lt;p class=&quot;list-group-item-text&quot;&gt;&lt;div class=&quot;views-field views-field-field-mention-note&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-field-mention-pages&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-edit-node&quot;&gt;&lt;span class=&quot;field-content&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;/p&gt;
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&lt;article data-history-node-id=&quot;59338&quot; about=&quot;/node/59338&quot; class=&quot;node node--type-work node--view-mode-bibliography-link&quot;&gt;
&lt;div class=&quot;node__content&quot;&gt;
&lt;a href=&quot;/node/59338&quot;&gt;Personne [Wilkins, Edward G. P.]. &quot;Dramatic Feuilleton.&quot; &lt;em&gt;New York Saturday Press&lt;/em&gt;, March 15, 1859, 3.&lt;/a&gt;
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&lt;/article&gt;
&lt;p class=&quot;list-group-item-text&quot;&gt;&lt;div class=&quot;views-field views-field-field-mention-note&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-field-mention-pages&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-edit-node&quot;&gt;&lt;span class=&quot;field-content&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;/p&gt;
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&lt;article data-history-node-id=&quot;57415&quot; about=&quot;/node/57415&quot; class=&quot;node node--type-work node--view-mode-bibliography-link&quot;&gt;
&lt;div class=&quot;node__content&quot;&gt;
&lt;a href=&quot;/node/57415&quot;&gt;Personne [Wilkins, Edward G. P.]. &quot;Dramatic Feuilleton.&quot; &lt;em&gt;New-York Saturday Press&lt;/em&gt;, May 12, 1860, 3.&lt;/a&gt;
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&lt;/article&gt;
&lt;p class=&quot;list-group-item-text&quot;&gt;&lt;div class=&quot;views-field views-field-field-mention-note&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-field-mention-pages&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-edit-node&quot;&gt;&lt;span class=&quot;field-content&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;/p&gt;
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&lt;article data-history-node-id=&quot;58974&quot; about=&quot;/node/58974&quot; class=&quot;node node--type-work node--view-mode-bibliography-link&quot;&gt;
&lt;div class=&quot;node__content&quot;&gt;
&lt;a href=&quot;/node/58974&quot;&gt;Personne [Wilkins, Edward G. P.]. &quot;Dramatic Feuilleton.&quot; &lt;em&gt;New York Saturday Press&lt;/em&gt;, May 28, 1859, 3.&lt;/a&gt;
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&lt;/article&gt;
&lt;p class=&quot;list-group-item-text&quot;&gt;&lt;div class=&quot;views-field views-field-field-mention-note&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-field-mention-pages&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-edit-node&quot;&gt;&lt;span class=&quot;field-content&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;/p&gt;
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&lt;article data-history-node-id=&quot;58294&quot; about=&quot;/node/58294&quot; class=&quot;node node--type-work node--view-mode-bibliography-link&quot;&gt;
&lt;div class=&quot;node__content&quot;&gt;
&lt;a href=&quot;/node/58294&quot;&gt;Personne [Wilkins, Edward G. P.]. &quot;Dramatic Feuilleton.&quot; &lt;em&gt;New-York Saturday Press&lt;/em&gt;, October 11, 1859, 2.&lt;/a&gt;
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&lt;/article&gt;
&lt;p class=&quot;list-group-item-text&quot;&gt;&lt;div class=&quot;views-field views-field-field-mention-note&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-field-mention-pages&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-edit-node&quot;&gt;&lt;span class=&quot;field-content&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;/p&gt;
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&lt;article data-history-node-id=&quot;58241&quot; about=&quot;/node/58241&quot; class=&quot;node node--type-work node--view-mode-bibliography-link&quot;&gt;
&lt;div class=&quot;node__content&quot;&gt;
&lt;a href=&quot;/node/58241&quot;&gt;Personne [Wilkins, Edward G. P.]. &quot;Dramatic Feuilleton.&quot; &lt;em&gt;New York Saturday Press&lt;/em&gt;, October 15, 1859, 2-3.&lt;/a&gt;
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&lt;/article&gt;
&lt;p class=&quot;list-group-item-text&quot;&gt;&lt;div class=&quot;views-field views-field-field-mention-note&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-field-mention-pages&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-edit-node&quot;&gt;&lt;span class=&quot;field-content&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;/p&gt;
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&lt;article data-history-node-id=&quot;57467&quot; about=&quot;/node/57467&quot; class=&quot;node node--type-work node--view-mode-bibliography-link&quot;&gt;
&lt;div class=&quot;node__content&quot;&gt;
&lt;a href=&quot;/node/57467&quot;&gt;Quelqu&amp;#039;un [Winter, William]. &quot;Dramatic Feuilleton.&quot; &lt;em&gt;New-York Saturday Press&lt;/em&gt;, April 17, 1860, 3.&lt;/a&gt;
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&lt;/article&gt;
&lt;p class=&quot;list-group-item-text&quot;&gt;&lt;div class=&quot;views-field views-field-field-mention-note&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-field-mention-pages&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-edit-node&quot;&gt;&lt;span class=&quot;field-content&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;/p&gt;
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&lt;li class=&quot;list-group-item&quot;&gt;
&lt;article data-history-node-id=&quot;58957&quot; about=&quot;/node/58957&quot; class=&quot;node node--type-work node--view-mode-bibliography-link&quot;&gt;
&lt;div class=&quot;node__content&quot;&gt;
&lt;a href=&quot;/node/58957&quot;&gt;Racovița von Dönniges, Elena. &lt;em&gt;Princess Helene Von Racowitza: An Autobiography&lt;/em&gt;. NY: Macmillan Company, 1910.&lt;/a&gt;
&lt;/div&gt;
&lt;/article&gt;
&lt;p class=&quot;list-group-item-text&quot;&gt;&lt;div class=&quot;views-field views-field-field-mention-note&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;p&gt;Racovita states regarding her career, &quot;I had picked out Max Strakosch, who was then the best impresario, and whom I knew and found very sympathetic. We had already arranged for several tours, and I was ready with a number of roles&quot; (336). After a disagreement between Strakosch and her husband, Serge von Schewitsch, about the length of the tour, Racovita did not sign the contract.&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-field-mention-pages&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;[pages: 336]&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-edit-node&quot;&gt;&lt;span class=&quot;field-content&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;/p&gt;
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&lt;article data-history-node-id=&quot;59828&quot; about=&quot;/node/59828&quot; class=&quot;node node--type-work node--view-mode-bibliography-link&quot;&gt;
&lt;div class=&quot;node__content&quot;&gt;
&lt;a href=&quot;/node/59828&quot;&gt;Spofford, Harriet Prescott. &lt;em&gt;Our Famous Women: An Authorized Record of The Lives and Deeds of Distinguished American Women of Our Times&lt;/em&gt;. Hartford, Conn. : A. D. Worthington, 1884.&lt;/a&gt;
&lt;/div&gt;
&lt;/article&gt;
&lt;p class=&quot;list-group-item-text&quot;&gt;&lt;div class=&quot;views-field views-field-field-mention-note&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;p&gt;Spofford mentions that Kellogg sang in America under the management of Strakosch (380).&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-field-mention-pages&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;[pages: 380,383]&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-edit-node&quot;&gt;&lt;span class=&quot;field-content&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;/p&gt;
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&lt;li class=&quot;list-group-item&quot;&gt;
&lt;article data-history-node-id=&quot;58958&quot; about=&quot;/node/58958&quot; class=&quot;node node--type-work node--view-mode-bibliography-link&quot;&gt;
&lt;div class=&quot;node__content&quot;&gt;
&lt;a href=&quot;/node/58958&quot;&gt;Tompkins, Euguene and Quincy Kilby. &lt;em&gt;The History of the Boston Theatre, 1854-1901&lt;/em&gt;. Boston and NY: Houghton Mifflin and Co., 1908.&lt;/a&gt;
&lt;/div&gt;
&lt;/article&gt;
&lt;p class=&quot;list-group-item-text&quot;&gt;&lt;div class=&quot;views-field views-field-field-mention-note&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;&lt;p&gt;Tompkins mentions Strakosch&#039;s productions of &lt;cite&gt;Don Pasquale&lt;/cite&gt; and his season of Italian opera including &lt;cite&gt;Norma, Il Trovatore, La Favorita, Don Giovanni&lt;/cite&gt;, and &lt;cite&gt;Lucrezia Borgia&lt;/cite&gt;.&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-field-mention-pages&quot;&gt;&lt;div class=&quot;field-content&quot;&gt;[pages: 156, 225]&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;views-field views-field-edit-node&quot;&gt;&lt;span class=&quot;field-content&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;/p&gt;
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&lt;/ul&gt;
&lt;/div&gt;
&lt;/div&gt;