Born in Portsmouth, New Hampshire, Thomas Bailey Aldrich moved with his father to New Orleans, Louisiana at the age of three. He remained there until age thirteen, when his father's impending death prompted Aldrich's return to New Hampshire and his mother's household (Parker). At age sixteen, Aldrich started working as a clerk for his uncle, Charles Frost: "While working over the books of the firm, his mind was often busy with themes outside of the commission house, all leading towards a literary career" (Hemstreet 218).
Though many details about his early life are in dispute, scholars agree that Arnold was born in New York City and that his father may have been the Reverend George B. Arnold. The family relocated to Illinois and then to Monmouth County, New Jersey where Arnold enjoyed a country upbringing. Though he apprenticed himself to a portrait painter in New York in 1852, Arnold soon determined that literature would be his true calling.
Frank Bellew was born in India, possibly to Captain Francis-John and Anne Smoult Temple (Colburn 1374). While growing up, Bellew also lived in France and England before moving to New York City in 1850. Once in New York, he worked as a caricaturist and illustrator for numerous publications including Yankee Notions, The Lantern, the New York Picayune, Nick-Nax, Vanity Fair, Harper's Weekly,Harper's Monthly, and Scribner's Monthly.
Born November 13th, 1833 in Maryland, Edwin Booth had an affinity for the acting world; he was named after the actors Edwin Forrest and Thomas Flynn, and his father, Junius, was a British actor who took Edwin with him on theatrical tours of the United States. Father and son developed a close relationship, although "to see to it that that erratic genius [Junius] did not break his engagements, murder someone, or commit suicide during his times of intoxication and half-insanity was a heavy responsibility for the fragile youth and made [Edwin] grave, serious, and melancholy beyond his years.
Born in Norwich, England as a farmer's son, Boughton emigrated to Albany, New York with his family at the age of three. At age nineteen, and without the benefit of formal training, he sold his first painting, The Wayfarer , at the American Art Union exhibition. In 1858 he exhibited Winter Twilight at the New York Academy of Design. His influences included Edward May, with whom he studied during a visit to Paris, and Édouard Frère. In 1862 two of Boughton's paintings were exhibited in the British Institution.
Before trying his hand at writing, Charles F. Briggs spent several years working as a sailor on voyages to Europe and South America. He also spent a few years as a merchant in New York City. In 1839 he published The Adventures of Harry Franco: A Tale of the Great Panic, which was based upon his adventures as a sailor. Retaining the pseudonym Harry Franco, Briggs went on to publish The Haunted Merchant in 1843. In 1844 he created the Broadway Journal, for which Edgar Allan Poe first worked as a contributor.
Albert Brisbane was born into a moderately wealthy landowning family in Batavia, New York. He received most of his education from his mother until, at the age of fifteen, he was sent to a boarding school in Long Island, New York.
Born in Ireland, John Brougham originally pursued a surgical career at the Peter Street Hospital in Dublin. A change in fortune resulted in his decision to move to England and become an actor in 1830. He was associated with London's Tottenham Street Theatre, the Olympic Theatre, and became manager of the London Lyceum in 1840. Brougham produced over 100 works and is remembered for his comedic playwriting and acting.
Born in Massachusetts to a family of merchants and seamen, Clapp traveled to Paris to translate the socialist writings of Fourier. In Paris, Clapp abandoned his ardent sympathy for the temperance movement and embraced the leisurely café life of the city. Upon returning to New York in 1850, he sought to recreate this atmosphere, spending hours at Charlie Pfaff's beer cellar, drawing a crowd of journalists, painters, actors, and poets to cultivate an American Bohemia in which participants admired and discussed the work of Edgar Allan Poe, Charles Dickens, and Washington Irving (Martin 15-7).
Ada Clare (whose given name was Jane McIlheny) was born in South Carolina. As Thomas Gunn, a contemporary of Clare, describes she "made an attempt – several attempts – to become a tragic actress, but despite any amount of puffery on the part of fellows who knew her (or wanted to know her in a scriptural sense) failed. She had money and aspired for 'fame' only" (Gunn vol. 11, 160). She received a small inheritance upon her parents' deaths, which she used to travel to Paris.
Born April 7th, 1821 in New-Bedford, Massachusetts, Charles Taber Congdon began his journalistic career early in his life by cleaning the floors of the New Bedford Courier and delivering papers. Describing this period of his life, Congdon states that “a considerable portion of my infant untidiness was of printer's ink” (Congdon 10).
Curtis was born in Rhode Island and educated in Massachusetts along with his older brother James, an influential figure in his life. When Curtis was a teenager, the family moved to New York City where he began a clerkship. Due to his growing interest in the Transcendentalist Movement, Curtis, along with his brother, resided for two years in the utopian community at Brook Farm. William Winter claims that Curtis already had the "Brook Farm ideal" in mind when he arrived there: "the ideal of a social existence regulated by absolute justice and adorned by absolute beauty" (Old Friends 228-30).
John Augustin Daly’s widowed mother moved the family to New York City when he was still a child. In New York, Daly quickly developed an affinity for the theatre. As a young man, he participated in amateur theatrical productions where his interests led him to the behind-the-scenes world of production and direction. Before he was twenty years of age, Daly put on a production in a rented hall in Brooklyn: "The details of this performance . . . are an epitome of his later career of alternate success and failure, met with courage, resourcefulness, and unquenchable confidence" (Quinn).
Born in England in 1811, Thomas Blades (Bladies) de Walden made his first appearance on the English stage in 1841, then traveled to New York for his premier on the American stage at Park theatre in 1844 (Wilson and Fiske 158). Identified by William Winter as a regular at Pfaff’s during the Bohemian days, de Walden was active in the New York stage community as both an actor and a playwright (Old Friends 88). Mark Lause also labels de Walden as one of the frequent actors who inhabited the vault at Pfaff’s (60).
Boston-born Ralph Waldo Emerson lost his father, a Concord minister, when he was eight years old, leaving the family in difficult circumstances. Greatly influenced by his aunt Mary Moody Emerson, who was deeply committed to the Emerson children’s education, Emerson's interest in writing grew. He worked his way through Harvard, graduating as class poet in 1821. After college, Emerson taught at a young ladies’ finishing school and then entered divinity school. Following the death of his first wife, he resigned from the ministry over doctrinal differences and began pursuing a literary career.
Born in 1819 into an old Quaker family near Philadelphia, Thomas Dunn English attended schooling in Philadelphia and New Jersey. He took his degree at the University of Pennsylvania Medical School, where he completed a thesis on phrenology and gained his M.D. in 1839. Even as English continued on to a law degree, completed in 1842, he began writing for the Burton’s Gentleman’s Magazine and was president of a political club. English would continue this multifaceted career throughout his life.
Margaret Winship Eytinge was born in New York City, where she attended Rutgers Female College (Wilbor 208). In her early days as a writer, she went by the pen name “Allie Vernon.” She became connected to the Pfaff's group in the 1850s, when she started writing verse for the comic newspapers the New York Picayune (under the pen name “Bell Thorne”) and Diogene hys Lanterne. Essayist Mortimer Thompson, illustrator Frank Bellew, and journalist and illustrator Thomas Butler Gunn also worked for these papers (Gunn 5.67). Picayune editor J.C.
William Winter describes Solomon Eytinge, Jr. as "[a] man of original and deeply interesting character, an artist of exceptional facility, possessed of a fine imagination and great warmth of feeling [. . .] In his prime as a draughtsman he was distinguished for the felicity of his invention, the richness of his humor, and the tenderness of his pathos. He had a keen wit and was the soul of kindness and mirth” (Old Friends 317).
Charles Desmarais Gardette was born in Philadelphia in 1830 to an aristocratic family and received his M.D. from the University of Pennsylvania in 1851 (Rawson). Soon moving from medicine to journalism, he published in the Evening Journal and Record of Philadelphia, as well as the Evening Post of New York. His work includes fiction, poetry, and essays. Like some of his compatriots at Pfaff’s, including Aldrich, Nast, Shanly, and Arnold, Gardette tried his hand at writing for children, publishing the didactic Johnnie Dodge, or, The Freaks and Fortunes of an Idle Boy in 1868.
Born to a family of tradesmen in New York City, Charles Gayler began his career as a teacher before he moved to Ohio and worked as a journalist and editor. While there, he developed an interest in politics that led him to write songs and speeches for Whig Presidential candidate Henry Clay in the 1844 election. In 1846 he married Grace Christian, with whom he had eight children. While one source suggests that his wife was actress and fellow Pfaffian Getty Gay (Rawson 103), Thomas Butler Gunn indicates that Gay was Gayler’s mistress (10.34).