Born November 13th, 1833 in Maryland, Edwin Booth had an affinity for the acting world; he was named after the actors Edwin Forrest and Thomas Flynn, and his father, Junius, was a British actor who took Edwin with him on theatrical tours of the United States. Father and son developed a close relationship, although "to see to it that that erratic genius [Junius] did not break his engagements, murder someone, or commit suicide during his times of intoxication and half-insanity was a heavy responsibility for the fragile youth and made [Edwin] grave, serious, and melancholy beyond his years.
James Topham Brady was the son of Irish immigrants who first settled in Newark, NJ and then in New York City. Brady received a privileged education and, in 1831 while still a student, he aided his father, a lawyer, in various trials. Brady gained admittance to the New York bar in 1836. His first case dealt with the controversial topic of slavery, and "though he was unsuccessful his handling of the matter was masterly . . .
Curtis was born in Rhode Island and educated in Massachusetts along with his older brother James, an influential figure in his life. When Curtis was a teenager, the family moved to New York City where he began a clerkship. Due to his growing interest in the Transcendentalist Movement, Curtis, along with his brother, resided for two years in the utopian community at Brook Farm. William Winter claims that Curtis already had the "Brook Farm ideal" in mind when he arrived there: "the ideal of a social existence regulated by absolute justice and adorned by absolute beauty" (Old Friends 228-30).
John Augustin Daly’s widowed mother moved the family to New York City when he was still a child. In New York, Daly quickly developed an affinity for the theatre. As a young man, he participated in amateur theatrical productions where his interests led him to the behind-the-scenes world of production and direction. Before he was twenty years of age, Daly put on a production in a rented hall in Brooklyn: "The details of this performance . . . are an epitome of his later career of alternate success and failure, met with courage, resourcefulness, and unquenchable confidence" (Quinn).
Charles Constant Delmonico is identified as one of the “friends of Henry Clapp in the city of New York,” but not necessarily as a Pfaffian (“Current Memoranda” 714). His family’s restaurant Delmonico’s was referred to in the Saturday Press piece “Sixes and Sevens.”
Horace Greeley was born in 1811 near Amherst, New Hampshire, to a poor farming family. Though physically feeble, Greeley had an affinity for books and tried for a printing apprenticeship at the age of eleven. He became an apprentice three years later in Vermont, where he learned the business rapidly and sent most of his earnings to his father. Greeley went back to farm life at the age of twenty before going to seek his fortune (Appleton 734). Greeley fostered this rags-to-riches story, claiming to have arrived in New York City in 1831 with only twenty-five dollars in his pocket.
Born in Albany, Abraham Oakey Hall lost his father to yellow fever at the age of three and entered the public school system. He excelled in journalism from an early age, and his earnings from contributions to various periodicals helped him pay for his education at the University of the City of New York. By 1844 Oakey had received a B. A. and an M. A., followed by a semester of study at Harvard Law School. His studies at Harvard were cut short, possibly due to a lack of money, and he went to work at Charles W. Sanford’s New York City law office (Carman).
Wallack’s Lyceum was located in Broadway near Broome Street. Its productions included original works by Pfaffians John Brougham, Stephen Ryder Fiske, and Fitz-James O’Brien. The Lyceum, run by James W. Wallack, was at one time the leading theater in New York City.
Born second in a family of nine children in Maine and schooled in Boston, Willis attended Yale and traveled extensively in Europe. His sister was Fanny Fern, a member of the Pfaffian crowd. In 1831 he left Boston to join the editorial staff of the New York Mirror as a traveling correspondent discoursing on matters of taste and fashion. Like his fellow Pfaffians, Willis expressed admiration for the work of Edgar Allan Poe and even claimed an acquaintance with him.