Born in Portsmouth, New Hampshire, Thomas Bailey Aldrich moved with his father to New Orleans, Louisiana at the age of three. He remained there until age thirteen, when his father's impending death prompted Aldrich's return to New Hampshire and his mother's household (Parker). At age sixteen, Aldrich started working as a clerk for his uncle, Charles Frost: "While working over the books of the firm, his mind was often busy with themes outside of the commission house, all leading towards a literary career" (Hemstreet 218).
Born November 13th, 1833 in Maryland, Edwin Booth had an affinity for the acting world; he was named after the actors Edwin Forrest and Thomas Flynn, and his father, Junius, was a British actor who took Edwin with him on theatrical tours of the United States. Father and son developed a close relationship, although "to see to it that that erratic genius [Junius] did not break his engagements, murder someone, or commit suicide during his times of intoxication and half-insanity was a heavy responsibility for the fragile youth and made [Edwin] grave, serious, and melancholy beyond his years.
Born in Norwich, England as a farmer's son, Boughton emigrated to Albany, New York with his family at the age of three. At age nineteen, and without the benefit of formal training, he sold his first painting, The Wayfarer , at the American Art Union exhibition. In 1858 he exhibited Winter Twilight at the New York Academy of Design. His influences included Edward May, with whom he studied during a visit to Paris, and Édouard Frère. In 1862 two of Boughton's paintings were exhibited in the British Institution.
Curtis was born in Rhode Island and educated in Massachusetts along with his older brother James, an influential figure in his life. When Curtis was a teenager, the family moved to New York City where he began a clerkship. Due to his growing interest in the Transcendentalist Movement, Curtis, along with his brother, resided for two years in the utopian community at Brook Farm. William Winter claims that Curtis already had the "Brook Farm ideal" in mind when he arrived there: "the ideal of a social existence regulated by absolute justice and adorned by absolute beauty" (Old Friends 228-30).
Boston-born Ralph Waldo Emerson lost his father, a Concord minister, when he was eight years old, leaving the family in difficult circumstances. Greatly influenced by his aunt Mary Moody Emerson, who was deeply committed to the Emerson children’s education, Emerson's interest in writing grew. He worked his way through Harvard, graduating as class poet in 1821. After college, Emerson taught at a young ladies’ finishing school and then entered divinity school. Following the death of his first wife, he resigned from the ministry over doctrinal differences and began pursuing a literary career.
Born into an anti-slavery family of eight children, Howells aided his family by setting type in his journalist father's printing office. Though he never finished high school, Howells would later receive honorary degrees from six universities as well as the offer of Ivy League professorships. Howells published frequently in the Saturday Press (Belasco 252) and was one of the “foremost writers of fiction” in novel form. Percy Holmes Boynton puts him in the company of such writers as Mark Twain, Bret Harte, and Walt Whitman in being “scrupulously careful writers” (49).
Growing up in Poughkeepsie, New York, Fitz Hugh Ludlow began sampling various drugs at the age of sixteen. He went to Union College in Schenectady, New York, where he continued to experiment with drugs, especially hashish (Martin 51-2). His most well-known work, The Hasheesh Eater (1857), was written in the tradition of Thomas De Quincey’s Confessions of an English Opium-Eater (1821) and was based on his personal experiences under the influence of the drug.
James Osgood was introduced to the publishing world in 1855 when he clerked for Ticknor and Fields, prominent Boston publishers. In 1868 he attained the status of partner and, along with James T. Fields, created Fields, Osgood and Company. More mergers and dissolutions followed--R. Osgood and Company and Houghton, Osgood, and Company were formed between 1871 and 1880 (J. Derby 277).
Born in Connecticut, Stedman’s merchant father died leaving the small child in the care of his mother, maternal grandfather, and lawyer uncle. Stedman’s childhood passed between his grandfather’s New Jersey farm and his uncle’s Connecticut residence. Much of Stedman’s literary education likely came from his mother, who herself was an author of both verse and essay. Stedman’s juvenilia consists of poetry inspired by the Romantics and Tennyson. He attended Yale University but was expelled after a youthful indiscretion.
Remembered as a novelist and poet, Elizabeth Drew Barstow Stoddard was the second of nine children raised in Mattapoisett, Massachusetts, a setting she drew on for her novels. She met the man who would become her husband, Richard Henry Stoddard, and after a brief courtship, the couple married in 1852 and settled in New York City. At their home in Manhattan, they hosted gatherings for people interested in literature and culture including Thomas Bailey Aldrich and William Dean Howells (Greenslet 33; Howells "First Impressions" 72).
Richard Henry Stoddard's early years were rather Dickensian. After his sea-captain father was lost at sea, Stoddard endured a life of poverty that led him to move with his mother to New York City in 1835. There he worked at a number of odd jobs before being employed, at age eleven, in an iron foundry. An autodidact who read voraciously in his youth, Stoddard published his first book of poems, Footprints (1849), after befriending Bayard Taylor--who introduced Stoddard to his future wife, Elizabeth Drew Barstow, herself an author of both fiction and poetry.
Born in rural Chester County, Pennsylvania, Bayard Taylor's ancestors were Quakers with ties to William Penn. Taylor began writing poems as a child and served an apprenticeship at the West Chester Village Record. Rufus Wilmot Griswold, editor of Graham's Magazine, encouraged Taylor to publish his first volume of poetry, Ximena (1844). He traveled to Europe soon after; before leaving, he visited New York and met Nathaniel Parker Willis, a frequenter of Pfaff's and an admirer of Edgar Allan Poe.
Launt Thompson’s career as a sculptor began when he made the acquaintance of sculptor Erastus Dow Palmer in 1848. One year earlier, Thompson had emigrated from Ireland with his widowed mother and settled in Albany, NY. He spent nine years as Palmer’s assistant; during that time he developed a facility with clay modeling and marble carving.
While there is scant evidence that Mark Twain (Samuel Clemens) ever visited Pfaff's bar (only one source suggests that he did [Rawson 99]), he was connected to the Pfaff's bohemians in a number of ways.
Born second in a family of nine children in Maine and schooled in Boston, Willis attended Yale and traveled extensively in Europe. His sister was Fanny Fern, a member of the Pfaffian crowd. In 1831 he left Boston to join the editorial staff of the New York Mirror as a traveling correspondent discoursing on matters of taste and fashion. Like his fellow Pfaffians, Willis expressed admiration for the work of Edgar Allan Poe and even claimed an acquaintance with him.