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Mentioned in The Solitary Singer: A Critical Biography of Walt Whitman

Born on Long Island and raised in Brooklyn, Walt Whitman spent his childhood and early adulthood amid the sights and sounds of New York City and its environs. As a young man Whitman worked as a journeyman printer for several New York newspapers, before ultimately becoming a journalist and editor in his own right. Before committing himself to poetry, Whitman also worked intermittently as a schoolteacher, a carpenter, and a writer of sensational prose fiction.

Remembered as "a man of brilliant talent and singular charm," Edward Wilkins' career included the roles of editorial writer, musical and dramatic critic, and playwright. He was raised in Boston where he began his journalism career.

Born second in a family of nine children in Maine and schooled in Boston, Willis attended Yale and traveled extensively in Europe. His sister was Fanny Fern, a member of the Pfaffian crowd. In 1831 he left Boston to join the editorial staff of the New York Mirror as a traveling correspondent discoursing on matters of taste and fashion. Like his fellow Pfaffians, Willis expressed admiration for the work of Edgar Allan Poe and even claimed an acquaintance with him.

The unofficial biographer of the Pfaff’s crowd, William Winter was born in coastal Massachusetts, and his mother died when he was young. Winter attended school in Boston; he also went to Harvard Law School but decided not to practice ("William Winter, 19). By 1854 he had already published a collection of verse and worked as a reviewer for the Boston Transcript; he befriended Pfaffian Thomas Bailey Aldrich after reviewing a volume of his poetry. He relocated to New York in 1856 "because he believed [the city] offered the best field for writers" (Levin 153).

Born in Auburn, NY, Frank Wood's literary career began around 1858. During this year, he wrote for one of the publications of Frank Leslie. He would become the first editor of Vanity Fair, before going on to be a contributor to the Pfaffian newspaper, The Saturday Press (Winter, Brief Chronicles, 337). It was not until 1863, though, that scholar Mark Lause argues that Wood gained success in the literary world with his play, Leah the Forsook (Lause 59).

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