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Mentioned in The Life of Thomas Bailey Aldrich

Born in Portsmouth, New Hampshire, Thomas Bailey Aldrich moved with his father to New Orleans, Louisiana at the age of three. He remained there until age thirteen, when his father's impending death prompted Aldrich's return to New Hampshire and his mother's household (Parker). At age sixteen, Aldrich started working as a clerk for his uncle, Charles Frost: "While working over the books of the firm, his mind was often busy with themes outside of the commission house, all leading towards a literary career" (Hemstreet 218).

Though many details about his early life are in dispute, scholars agree that Arnold was born in New York City and that his father may have been the Reverend George B. Arnold. The family relocated to Illinois and then to Monmouth County, New Jersey where Arnold enjoyed a country upbringing. Though he apprenticed himself to a portrait painter in New York in 1852, Arnold soon determined that literature would be his true calling.

Born November 13th, 1833 in Maryland, Edwin Booth had an affinity for the acting world; he was named after the actors Edwin Forrest and Thomas Flynn, and his father, Junius, was a British actor who took Edwin with him on theatrical tours of the United States. Father and son developed a close relationship, although "to see to it that that erratic genius [Junius] did not break his engagements, murder someone, or commit suicide during his times of intoxication and half-insanity was a heavy responsibility for the fragile youth and made [Edwin] grave, serious, and melancholy beyond his years.

Born in Massachusetts to a family of merchants and seamen, Clapp traveled to Paris to translate the socialist writings of Fourier. In Paris, Clapp abandoned his ardent sympathy for the temperance movement and embraced the leisurely café life of the city. Upon returning to New York in 1850, he sought to recreate this atmosphere, spending hours at Charlie Pfaff's beer cellar, drawing a crowd of journalists, painters, actors, and poets to cultivate an American Bohemia in which participants admired and discussed the work of Edgar Allan Poe, Charles Dickens, and Washington Irving (Martin 15-7).

Ada Clare (whose given name was Jane McIlheny) was born in South Carolina. As Thomas Gunn, a contemporary of Clare, describes she "made an attempt – several attempts – to become a tragic actress, but despite any amount of puffery on the part of fellows who knew her (or wanted to know her in a scriptural sense) failed. She had money and aspired for 'fame' only" (Gunn vol. 11, 160). She received a small inheritance upon her parents' deaths, which she used to travel to Paris.

Curtis was born in Rhode Island and educated in Massachusetts along with his older brother James, an influential figure in his life. When Curtis was a teenager, the family moved to New York City where he began a clerkship. Due to his growing interest in the Transcendentalist Movement, Curtis, along with his brother, resided for two years in the utopian community at Brook Farm. William Winter claims that Curtis already had the "Brook Farm ideal" in mind when he arrived there: "the ideal of a social existence regulated by absolute justice and adorned by absolute beauty" (Old Friends 228-30).

Boston-born Ralph Waldo Emerson lost his father, a Concord minister, when he was eight years old, leaving the family in difficult circumstances. Greatly influenced by his aunt Mary Moody Emerson, who was deeply committed to the Emerson children’s education, Emerson's interest in writing grew. He worked his way through Harvard, graduating as class poet in 1821. After college, Emerson taught at a young ladies’ finishing school and then entered divinity school. Following the death of his first wife, he resigned from the ministry over doctrinal differences and began pursuing a literary career.

Fitz-Greene Halleck was born in Guilford, Connecticut to a family descended from the earliest Pilgrim Fathers. Halleck completed New England schooling at the age of fourteen, after which he served as a clerk to kinsman Andrew Eliot for six years. Eliot sent him on business to New York in 1808, where he met his future employers Jacob Barker and John Jacob Astor. He could join the Connecticut militia and open an evening school for clerk-related matters before returning to the city in 1811 at the age of twenty-one (Wilson).

Edward Howard House, also known as “Ned,” was born near Boston and became a musical prodigy under his pianist mother's tutelage. Her early death turned him to his father's trade, that of a bank-note engraver. He gained standing in the world of Boston literati, and eventually moved to New York to work as the drama critic for the Tribune (61). As a contributor to the Saturday Press, House wanted to create a dialogue supporting his anti-slavery beliefs, but Editor Henry Clapp opposed it (Lause 109).

Born into an anti-slavery family of eight children, Howells aided his family by setting type in his journalist father's printing office. Though he never finished high school, Howells would later receive honorary degrees from six universities as well as the offer of Ivy League professorships. Howells published frequently in the Saturday Press (Belasco 252) and was one of the “foremost writers of fiction” in novel form. Percy Holmes Boynton puts him in the company of such writers as Mark Twain, Bret Harte, and Walt Whitman in being “scrupulously careful writers” (49).

Best know for his portrayal of Asa Trenchard in Our American Cousin and Rip Van Winkle in Rip Van Winkle, Joseph Jefferson was one of the most popular comedians of his time. Born February 20, 1829 in Philadelphia, Jefferson was the son of actors and was introduced to the stage as a child. Jefferson made his adult debut in New York in 1849 at the age of twenty. His early New York successes led to a tour of the South and theatrical engagements in Baltimore and Philadelphia.

Growing up in Poughkeepsie, New York, Fitz Hugh Ludlow began sampling various drugs at the age of sixteen. He went to Union College in Schenectady, New York, where he continued to experiment with drugs, especially hashish (Martin 51-2). His most well-known work, The Hasheesh Eater (1857), was written in the tradition of Thomas De Quincey’s Confessions of an English Opium-Eater (1821) and was based on his personal experiences under the influence of the drug.

Born in County Cork and raised primarily in Limerick, Ireland, Fitz-James O'Brien moved to New York City in 1852. Descending from an Anglo-Irish landholding family, O'Brien received his inheritance (estimated at £8000) at about the age of 21. Between 1849 and 1851, it is believed that O'Brien edited a failed literary magazine called The Parlour Magazine of the Literature of All Nations and squandered his inheritance (Wolle 21). Leaving England almost penniless, O'Brien immigrated to America and made the U.S.

James Osgood was introduced to the publishing world in 1855 when he clerked for Ticknor and Fields, prominent Boston publishers. In 1868 he attained the status of partner and, along with James T. Fields, created Fields, Osgood and Company. More mergers and dissolutions followed--R. Osgood and Company and Houghton, Osgood, and Company were formed between 1871 and 1880 (J. Derby 277).

Often credited with inspiring the Pfaff's Bohemians, Edgar Allan Poe was born January 19, 1809 in Boston, Massachusetts. He enlisted in the army on May 26, 1827 under the name Edgar A. Perry. He received an appointment to West Point and entered the Military Academy on July 1, 1830 but was later dismissed after neglecting his duties. Poe received his first recognition as a writer in 1833 when he won a prize of $50 in the Baltimore Saturday Visitor for his story, "A MS.

On October 23, 1858, Henry Clapp, Jr., published the inaugural issue of The Saturday Press.

Born in Connecticut, Stedman’s merchant father died leaving the small child in the care of his mother, maternal grandfather, and lawyer uncle. Stedman’s childhood passed between his grandfather’s New Jersey farm and his uncle’s Connecticut residence. Much of Stedman’s literary education likely came from his mother, who herself was an author of both verse and essay. Stedman’s juvenilia consists of poetry inspired by the Romantics and Tennyson. He attended Yale University but was expelled after a youthful indiscretion.

Remembered as a novelist and poet, Elizabeth Drew Barstow Stoddard was the second of nine children raised in Mattapoisett, Massachusetts, a setting she drew on for her novels. She met the man who would become her husband, Richard Henry Stoddard, and after a brief courtship, the couple married in 1852 and settled in New York City. At their home in Manhattan, they hosted gatherings for people interested in literature and culture including Thomas Bailey Aldrich and William Dean Howells (Greenslet 33; Howells "First Impressions" 72).

Richard Henry Stoddard's early years were rather Dickensian. After his sea-captain father was lost at sea, Stoddard endured a life of poverty that led him to move with his mother to New York City in 1835. There he worked at a number of odd jobs before being employed, at age eleven, in an iron foundry. An autodidact who read voraciously in his youth, Stoddard published his first book of poems, Footprints (1849), after befriending Bayard Taylor--who introduced Stoddard to his future wife, Elizabeth Drew Barstow, herself an author of both fiction of poetry.

Born in rural Chester County, Pennsylvania, Bayard Taylor's ancestors were Quakers with ties to William Penn. Taylor began writing poems as a child and served an apprenticeship at the West Chester Village Record. Rufus Wilmot Griswold, editor of Graham's Magazine, encouraged Taylor to publish his first volume of poetry, Ximena (1844). He traveled to Europe soon after; before leaving, he visited New York and met Nathaniel Parker Willis, a frequenter of Pfaff's and an admirer of Edgar Allan Poe.

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