Born in Portsmouth, New Hampshire, Thomas Bailey Aldrich moved with his father to New Orleans, Louisiana at the age of three. He remained there until age thirteen, when his father's impending death prompted Aldrich's return to New Hampshire and his mother's household (Parker). At age sixteen, Aldrich started working as a clerk for his uncle, Charles Frost: "While working over the books of the firm, his mind was often busy with themes outside of the commission house, all leading towards a literary career" (Hemstreet 218).
Though many details about his early life are in dispute, scholars agree that Arnold was born in New York City and that his father may have been the Reverend George B. Arnold. The family relocated to Illinois and then to Monmouth County, New Jersey where Arnold enjoyed a country upbringing. Though he apprenticed himself to a portrait painter in New York in 1852, Arnold soon determined that literature would be his true calling.
Born in Massachusetts to a family of merchants and seamen, Clapp traveled to Paris to translate the socialist writings of Fourier. In Paris, Clapp abandoned his ardent sympathy for the temperance movement and embraced the leisurely café life of the city. Upon returning to New York in 1850, he sought to recreate this atmosphere, spending hours at Charlie Pfaff's beer cellar, drawing a crowd of journalists, painters, actors, and poets to cultivate an American Bohemia in which participants admired and discussed the work of Edgar Allan Poe, Charles Dickens, and Washington Irving (Martin 15-7).
Ada Clare (whose given name was Jane McIlheny) was born in South Carolina. As Thomas Gunn, a contemporary of Clare, describes she "made an attempt – several attempts – to become a tragic actress, but despite any amount of puffery on the part of fellows who knew her (or wanted to know her in a scriptural sense) failed. She had money and aspired for 'fame' only" (Gunn vol. 11, 160). She received a small inheritance upon her parents' deaths, which she used to travel to Paris.
Little is known of Jennie or (Jenny) Danforth despite the fact that she is mentioned frequently as one of the women who followed Ada Clare to Pfaff’s. Justin Martin places Jenny as one of the “other women” who “became part of the Bohemian circle at Pfaff’s and that she may have had a romantic tie to Fitz-James O’Brien (67-8). Wolle also mentions that O’Brien and Danforth were involved in an affair, but the true nature of their relationship is unknown and is merely speculation (130).
Very little is know about Anne Deland’s early life. We do know that she was originally from Georgia and eventually made her way to New York to begin her career on stage (Lause 57). We also know that in 1857 she starred as Desdemona during a production of Othello in Newark and that Laura Kenne recruited Deland into New York City’s dramatic scene (57). Supporting this migration, Odell speculates that Laura Keene's company's performance of House and Home was the first appearance of Anne Deland (218).
Born into an anti-slavery family of eight children, Howells aided his family by setting type in his journalist father's printing office. Though he never finished high school, Howells would later receive honorary degrees from six universities as well as the offer of Ivy League professorships. Howells published frequently in the Saturday Press (Belasco 252) and was one of the “foremost writers of fiction” in novel form. Percy Holmes Boynton puts him in the company of such writers as Mark Twain, Bret Harte, and Walt Whitman in being “scrupulously careful writers” (49).
Born in Philadelphia, Charles Godfrey Leland Leland received his early schooling in Massachusetts and Philadelphia, where Bronson Alcott was one of his teachers. He contributed short poems to newspapers before the age of fifteen. After graduating from Princeton in 1846, Leland traveled to Europe and spent two years studying in Germany. In 1848 he participated in uprisings in Paris before returning to Philadelphia to study law.
Growing up in Poughkeepsie, New York, Fitz Hugh Ludlow began sampling various drugs at the age of sixteen. He went to Union College in Schenectady, New York, where he continued to experiment with drugs, especially hashish (Martin 51-2). His most well-known work, The Hasheesh Eater (1857), was written in the tradition of Thomas De Quincey’s Confessions of an English Opium-Eater (1821) and was based on his personal experiences under the influence of the drug.
Adah Menken, an actress "not known for her talent, but rather for her frenetic energy, her charismatic presence, and her willingness to expose herself," was born in a suburb of New Orleans (Richards 192). Adah’s given name was probably Adah Bertha Theodore, but conflicting accounts of her early years and parentage (many generated by herself for publicity purposes) make it difficult to say with certainty.
Born and raised in New York City, Robert Henry Newell entered the world of journalism at age twenty-two. His submissions to various periodicals “achieved immediate recognition” and brought him a job offer from the New York Sunday Mercury. During the Civil War, Newell wrote the “Orpheus C. Kerr papers, originally initiated in the form of Washington correspondence to the Mercury . . .
Born in County Cork and raised primarily in Limerick, Ireland, Fitz-James O'Brien moved to New York City in 1852. Descending from an Anglo-Irish landholding family, O'Brien received his inheritance (estimated at £8000) at about the age of 21. Between 1849 and 1851, it is believed that O'Brien edited a failed literary magazine called The Parlour Magazine of the Literature of All Nations and squandered his inheritance (Wolle 21). Leaving England almost penniless, O'Brien immigrated to America and made the U.S.
Charles Pfaff's obituary in the New York Times characterizes him as the proprietor of the famous Bohemian "chop house" at 647 Broadway that flourished between 1860 and 1875 ("In and About the City," 2). Born in Baden, Switzerland likely in 1819, Pfaff first arrived in New York in the early 1850s "part of a wave of German immigrants" (Blalock; Martin 18). According to scholar Justin Martin, "Herr Pfaff was a round little man with shaggy eyebrows and chubby fingers. His Old World manner and thickly accented English gave him a courtly and discreet air" (18).
Born in Connecticut, Stedman’s merchant father died leaving the small child in the care of his mother, maternal grandfather, and lawyer uncle. Stedman’s childhood passed between his grandfather’s New Jersey farm and his uncle’s Connecticut residence. Much of Stedman’s literary education likely came from his mother, who herself was an author of both verse and essay. Stedman’s juvenilia consists of poetry inspired by the Romantics and Tennyson. He attended Yale University but was expelled after a youthful indiscretion.
Born in rural Chester County, Pennsylvania, Bayard Taylor's ancestors were Quakers with ties to William Penn. Taylor began writing poems as a child and served an apprenticeship at the West Chester Village Record. Rufus Wilmot Griswold, editor of Graham's Magazine, encouraged Taylor to publish his first volume of poetry, Ximena (1844). He traveled to Europe soon after; before leaving, he visited New York and met Nathaniel Parker Willis, a frequenter of Pfaff's and an admirer of Edgar Allan Poe.
Born in small-town New England, Charles Browne began his career as a young contributor to the Boston Carpet Bag, a humor magazine, and later at Cleveland’s The Plain Dealer he adopted the persona of circus showman Artemus Ward. As Ward, he began writing letters from this fictional character whose travels inspired social commentaries, satires, and burlesques.
Born on Long Island and raised in Brooklyn, Walt Whitman spent his childhood and early adulthood amid the sights and sounds of New York City and its environs. As a young man Whitman worked as a journeyman printer for several New York newspapers, before ultimately becoming a journalist and editor in his own right. Before committing himself to poetry, Whitman also worked intermittently as a schoolteacher, a carpenter, and a writer of sensational prose fiction.
Remembered as "a man of brilliant talent and singular charm," Edward Wilkins' career included the roles of editorial writer, musical and dramatic critic, and playwright. He was raised in Boston where he began his journalism career.
The unofficial biographer of the Pfaff’s crowd, William Winter was born in coastal Massachusetts, and his mother died when he was young. Winter attended school in Boston; he also went to Harvard Law School but decided not to practice ("William Winter, 19). By 1854 he had already published a collection of verse and worked as a reviewer for the Boston Transcript; he befriended Pfaffian Thomas Bailey Aldrich after reviewing a volume of his poetry. He relocated to New York in 1856 "because he believed [the city] offered the best field for writers" (Levin 153).