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Mentioned in Dramatic Feuilleton

Brougham, John (1810-1880)

Born in Ireland, John Brougham originally pursued a surgical career at the Peter Street Hospital in Dublin. A change in fortune resulted in his decision to move to England and become an actor in 1830. He was associated with London's Tottenham Street Theatre, the Olympic Theatre, and became manager of the London Lyceum in 1840. Brougham produced over 100 works and is remembered for his comedic playwriting and acting.

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Eytinge, Rose (1838-1911)

Born in Philadelphia, PA in September 1835, Rose Eytinge made her first appearance as an amateur actress in Brooklyn at the age of seventeen (Wilson and Fiske 396). Her first professional appearance was as Melanie in "The Old Guard" in a dramatic stock company in Syracuse, NY under the management of Geary Hough. She soon became "the leading juvenile woman" in the company but quickly moved on to her second professional acting engagement as the leading lady at the Green Street Theatre in Albany, NY (Eytinge 8).

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Shaw, Dora (1828-1891)

Described as a "golden woman of poetical tendencies," Shaw was born to an Ohio clergyman (Kendall 305). Shaw married young but divorced and was shunned by her family as a result (Lawson 104). Though her first marriage to Dr. LeBaum failed, Shaw did remarry in 1863 to Captain Henry Bogardus. Shaw who was "brillant, beautiful, but eccentric" worked as an actress throughout the country, including cities such as New Orleans and St. Louis (Kendall 305).

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Wallack's Lyceum

Wallack’s Lyceum was located in Broadway near Broome Street. Its productions included original works by Pfaffians John Brougham, Stephen Ryder Fiske, and Fitz-James O’Brien. The Lyceum, run by James W. Wallack, was at one time the leading theater in New York City.

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Wallack, John Lester (1820-1888)

Born in New York City on New Year’s Eve in 1820, John Lester Wallack was christened John Johnstone Wallack; he later adopted Lester John Wallack as his professional name. He first became interested in drama while being schooled in England at private schools; Wallack admits that he “hesitated long before [he] made up [his] mind to become an actor" (Memories of Fifty Years 24). Wallack made his first professional appearance in Tortesa the Usurer; he used the alias “Allan Field,” so as not to rely on the draw of his father’s name.

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