Born in England in 1811, Thomas Blades (Bladies) de Walden made his first appearance on the English stage in 1841, then traveled to New York for his premier on the American stage at Park theatre in 1844 (Wilson and Fiske 158). Identified by William Winter as a regular at Pfaff’s during the Bohemian days, de Walden was active in the New York stage community as both an actor and a playwright (Old Friends 88). Mark Lause also labels de Walden as one of the frequent actors who inhabited the vault at Pfaff’s (60).
Clara Louise Kellogg was born in Sumterville, South Carolina to a musical family, particularly in her mother, father, and maternal grandmother. In her biography, Kellogg claims that her first musical efforts occurred at the age of ten months, when she attempted to sing in mimesis of her “negro mammy.” The family relocated to Birmingham, Connecticut, where Kellogg continued to demonstrate her interest and talent in singing and playing the piano. After her father, a “dignified scholar,” failed and moved the family to New York in 1857, Kellogg was discovered by Colonel Henry G.
Wallack’s Lyceum was located in Broadway near Broome Street. Its productions included original works by Pfaffians John Brougham, Stephen Ryder Fiske, and Fitz-James O’Brien. The Lyceum, run by James W. Wallack, was at one time the leading theater in New York City.
Born in New York City on New Year’s Eve in 1820, John Lester Wallack was christened John Johnstone Wallack; he later adopted Lester John Wallack as his professional name. He first became interested in drama while being schooled in England at private schools; Wallack admits that he “hesitated long before [he] made up [his] mind to become an actor" (Memories of Fifty Years 24). Wallack made his first professional appearance in Tortesa the Usurer; he used the alias “Allan Field,” so as not to rely on the draw of his father’s name.