Born in Ireland, John Brougham originally pursued a surgical career at the Peter Street Hospital in Dublin. A change in fortune resulted in his decision to move to England and become an actor in 1830. He was associated with London's Tottenham Street Theatre, the Olympic Theatre, and became manager of the London Lyceum in 1840. Brougham produced over 100 works and is remembered for his comedic playwriting and acting.
Ada Clare (whose given name was Jane McIlheny) was born in South Carolina. As Thomas Gunn, a contemporary of Clare, describes she "made an attempt – several attempts – to become a tragic actress, but despite any amount of puffery on the part of fellows who knew her (or wanted to know her in a scriptural sense) failed. She had money and aspired for 'fame' only" (Gunn vol. 11, 160). She received a small inheritance upon her parents' deaths, which she used to travel to Paris.
Best know for his portrayal of Asa Trenchard in Our American Cousin and Rip Van Winkle in Rip Van Winkle, Joseph Jefferson was one of the most popular comedians of his time. Born February 20, 1829 in Philadelphia, Jefferson was the son of actors and was introduced to the stage as a child. Jefferson made his adult debut in New York in 1849 at the age of twenty. His early New York successes led to a tour of the South and theatrical engagements in Baltimore and Philadelphia.
Though much of her early life, including her real name and exact date of birth, remains in shadow, Laura Keene is thought to have come from a well-to-do background. She was widely read and spent time in Turner’s studio during her childhood. After performing with Madame Vestris’ company, Keene journeyed to New York in 1852 at the invitation of James W. Wallack. She became the leading lady of his theater and enjoyed great success.
An active theater critic, comedian, and actor, Mark Smith was also a member of an exclusive subset of the Pfaff’s cadre which called itself “The Bees.” This group was composed of actors, writers, dramatists, and artists devoted to the theater who "met regularly for dinner and conversation" (T. Miller 44). The club was formed in 1856, and had rooms on the south side of East Houston Street. Their motto was "Honey Soit." John Brougham was the president, and members included Fitz-James O’Brien, Ned Wilkins, Henry Clapp, Jr., and Smith himself.
Wallack’s Lyceum was located in Broadway near Broome Street. Its productions included original works by Pfaffians John Brougham, Stephen Ryder Fiske, and Fitz-James O’Brien. The Lyceum, run by James W. Wallack, was at one time the leading theater in New York City.
Born in New York City on New Year’s Eve in 1820, John Lester Wallack was christened John Johnstone Wallack; he later adopted Lester John Wallack as his professional name. He first became interested in drama while being schooled in England at private schools; Wallack admits that he “hesitated long before [he] made up [his] mind to become an actor" (Memories of Fifty Years 24). Wallack made his first professional appearance in Tortesa the Usurer; he used the alias “Allan Field,” so as not to rely on the draw of his father’s name.