Born the son of a Polish count, de Gurowski’s strong political opinions led to his expulsion from the Gymnasia of Warsaw and Kalisz, and later led to his imprisonment. His estates were confiscated because of his objections to Russian influence in the region. At the University of Berlin he studied philosophy under Hegel and later graduated from the University of Heidelberg in 1823. In Paris he studied with Charles Fourier, working on the notion of Pan-slavism which he developed in his book on the subject La Verite sur la Russie (1835).
Though much of her early life, including her real name and exact date of birth, remains in shadow, Laura Keene is thought to have come from a well-to-do background. She was widely read and spent time in Turner’s studio during her childhood. After performing with Madame Vestris’ company, Keene journeyed to New York in 1852 at the invitation of James W. Wallack. She became the leading lady of his theater and enjoyed great success.
Born in New York City on New Year’s Eve in 1820, John Lester Wallack was christened John Johnstone Wallack; he later adopted Lester John Wallack as his professional name. He first became interested in drama while being schooled in England at private schools; Wallack admits that he “hesitated long before [he] made up [his] mind to become an actor" (Memories of Fifty Years 24). Wallack made his first professional appearance in Tortesa the Usurer; he used the alias “Allan Field,” so as not to rely on the draw of his father’s name.