Born in Ireland, John Brougham originally pursued a surgical career at the Peter Street Hospital in Dublin. A change in fortune resulted in his decision to move to England and become an actor in 1830. He was associated with London's Tottenham Street Theatre, the Olympic Theatre, and became manager of the London Lyceum in 1840. Brougham produced over 100 works and is remembered for his comedic playwriting and acting.
Frank Goodrich was born in Hartford, CT to Mary Boott Goodrich and Samuel Griswold Goodrich, the popular author of the "Peter Parley" tales of geography and adventure. After graduating from Harvard in 1845, Goodrich moved to Paris when his father was chosen as the United States consul. Goodrich’s literary career began there when, under the pseudonym of "Dick Tinto," he wrote letters to the New York Times about Paris and its government (J. Derby 123).
Matilda Heron was born in poverty in Labby Vale, Draperstown, Ireland in 1830 and came to the U.S. as a child. Matilda came to Philadelphia in 1842 with her parents and two sisters, Fanny and Agnes, where she took lessons from Peter Richings of the Walnut-street Theatre.
Though much of her early life, including her real name and exact date of birth, remains in shadow, Laura Keene is thought to have come from a well-to-do background. She was widely read and spent time in Turner’s studio during her childhood. After performing with Madame Vestris’ company, Keene journeyed to New York in 1852 at the invitation of James W. Wallack. She became the leading lady of his theater and enjoyed great success.
Wallack’s Lyceum was located in Broadway near Broome Street. Its productions included original works by Pfaffians John Brougham, Stephen Ryder Fiske, and Fitz-James O’Brien. The Lyceum, run by James W. Wallack, was at one time the leading theater in New York City.
Born in New York City on New Year’s Eve in 1820, John Lester Wallack was christened John Johnstone Wallack; he later adopted Lester John Wallack as his professional name. He first became interested in drama while being schooled in England at private schools; Wallack admits that he “hesitated long before [he] made up [his] mind to become an actor" (Memories of Fifty Years 24). Wallack made his first professional appearance in Tortesa the Usurer; he used the alias “Allan Field,” so as not to rely on the draw of his father’s name.