Mentioned in The Antebellum Crisis and America's First Bohemians

Very little is know about Anne Deland’s early life. We do know that she was originally from Georgia and eventually made her way to New York to begin her career on stage (Lause 57). We also know that in 1857 she starred as Desdemona during a production of Othello in Newark and that Laura Kenne recruited Deland into New York City’s dramatic scene (57). Supporting this migration, Odell speculates that Laura Keene's company's performance of House and Home was the first appearance of Anne Deland (218).

Boston-born Ralph Waldo Emerson lost his father, a Concord minister, when he was eight years old, leaving the family in difficult circumstances. Greatly influenced by his aunt Mary Moody Emerson, who was deeply committed to the Emerson children’s education, Emerson's interest in writing grew. He worked his way through Harvard, graduating as class poet in 1821. After college, Emerson taught at a young ladies’ finishing school and then entered divinity school. Following the death of his first wife, he resigned from the ministry over doctrinal differences and began pursuing a literary career.

Mary Fox (nee Hewins) was born in Hartford, Connecticut in 1842, a precocious child with an affinity for the fields of literature and drama. She ran away to join a circus as a child, but left after two weeks to embark with a theatrical company ("Mary Fox"), making her first acting appearance in Troy, New York. She later appeared at Laura Keene’s Varieties in New York (Wilson & Fiske 521), and was one of several actresses who accompanied Ada Clare to Pfaff’s (J. Browne 157).

Charles Desmarais Gardette was born in Philadelphia in 1830 to an aristocratic family and received his M.D. from the University of Pennsylvania in 1851 (Rawson). Soon moving from medicine to journalism, he published in the Evening Journal and Record of Philadelphia, as well as the Evening Post of New York. His work includes fiction, poetry, and essays. Like some of his compatriots at Pfaff’s, including Aldrich, Nast, Shanly, and Arnold, Gardette tried his hand at writing for children, publishing the didactic Johnnie Dodge, or, The Freaks and Fortunes of an Idle Boy in 1868.

Horace Greeley was born in 1811 near Amherst, New Hampshire, to a poor farming family. Though physically feeble, Greeley had an affinity for books and tried for a printing apprenticeship at the age of eleven. He became an apprentice three years later in Vermont, where he learned the business rapidly and sent most of his earnings to his father. Greeley went back to farm life at the age of twenty before going to seek his fortune (Appleton 734). Greeley fostered this rags-to-riches story, claiming to have arrived in New York City in 1831 with only twenty-five dollars in his pocket.

Charles Graham Halpine was born in Oldcastle, co. Meath, Ireland to Reverend Nicholas John Halpin and Anne Grehan. Although originally educated for the medical and law professions at Trinity College in Dublin, the early death of his father caused Halpine to take up journalism. Immigrating to the United States in 1851 (Boarse), he initially supported himself by working in advertising and later as the private secretary to P. T. Barnum (Monoghan). He would later become a well-known poet and journalist most recognized under the name Miles O’Reilly.

Edward Howard House, also known as “Ned,” was born near Boston and became a musical prodigy under his pianist mother's tutelage. Her early death turned him to his father's trade, that of a bank-note engraver. He gained standing in the world of Boston literati, and eventually moved to New York to work as the drama critic for the Tribune (61). As a contributor to the Saturday Press, House wanted to create a dialogue supporting his anti-slavery beliefs, but Editor Henry Clapp opposed it (Lause 109).

Edward Howland was born in Charleston, South Carolina and was educated at Harvard. He is remembered as an "elegant scholar" who sold "his choice library he had spent many years and a fortune to collect" to help Henry Clapp launch the Saturday Press (Rawson 106). Howland was in charge of the business side of the publication (Miller 26) and is also listed among the “friendly contributors” who “were glad to furnish articles for nothing, being friendly toward the establishment of an absolutely independent critical paper” (Winter 294).

Though much of her early life, including her real name and exact date of birth, remains in shadow, Laura Keene is thought to have come from a well-to-do background. She was widely read and spent time in Turner’s studio during her childhood. After performing with Madame Vestris’ company, Keene journeyed to New York in 1852 at the invitation of James W. Wallack. She became the leading lady of his theater and enjoyed great success.