Born November 13th, 1833 in Maryland, Edwin Booth had an affinity for the acting world; he was named after the actors Edwin Forrest and Thomas Flynn, and his father, Junius, was a British actor who took Edwin with him on theatrical tours of the United States. Father and son developed a close relationship, although "to see to it that that erratic genius [Junius] did not break his engagements, murder someone, or commit suicide during his times of intoxication and half-insanity was a heavy responsibility for the fragile youth and made [Edwin] grave, serious, and melancholy beyond his years.
John Augustin Daly’s widowed mother moved the family to New York City when he was still a child. In New York, Daly quickly developed an affinity for the theatre. As a young man, he participated in amateur theatrical productions where his interests led him to the behind-the-scenes world of production and direction. Before he was twenty years of age, Daly put on a production in a rented hall in Brooklyn: "The details of this performance . . . are an epitome of his later career of alternate success and failure, met with courage, resourcefulness, and unquenchable confidence" (Quinn).
Matilda Heron was born in poverty in Labby Vale, Draperstown, Ireland in 1830 and came to the U.S. as a child. Matilda came to Philadelphia in 1842 with her parents and two sisters, Fanny and Agnes, where she took lessons from Peter Richings of the Walnut-street Theatre.
Though much of her early life, including her real name and exact date of birth, remains in shadow, Laura Keene is thought to have come from a well-to-do background. She was widely read and spent time in Turner’s studio during her childhood. After performing with Madame Vestris’ company, Keene journeyed to New York in 1852 at the invitation of James W. Wallack. She became the leading lady of his theater and enjoyed great success.
An active theater critic, comedian, and actor, Mark Smith was also a member of an exclusive subset of the Pfaff’s cadre which called itself “The Bees.” This group was composed of actors, writers, dramatists, and artists devoted to the theater who "met regularly for dinner and conversation" (T. Miller 44). The club was formed in 1856, and had rooms on the south side of East Houston Street. Their motto was "Honey Soit." John Brougham was the president, and members included Fitz-James O’Brien, Ned Wilkins, Henry Clapp, Jr., and Smith himself.
Born in New York City on New Year’s Eve in 1820, John Lester Wallack was christened John Johnstone Wallack; he later adopted Lester John Wallack as his professional name. He first became interested in drama while being schooled in England at private schools; Wallack admits that he “hesitated long before [he] made up [his] mind to become an actor" (Memories of Fifty Years 24). Wallack made his first professional appearance in Tortesa the Usurer; he used the alias “Allan Field,” so as not to rely on the draw of his father’s name.