Matilda Heron was born in poverty in Labby Vale, Draperstown, Ireland in 1830 and came to the U.S. as a child.
This article is a review of the various plays during the summer theater season in New York. The reviewer discusses changes in players in Laura Keene's company, as well as at the New Metropolitan. A new tragedy is mentioned as well as a new opera and a few remarks are made to the experience of sitting in a crowded theater in New York City in August.
This article refers to a Jefferson who recently left Laura Keene's company.
An electronic version of this text is available in a CONTENTdm viewer. Page images of The New York Saturday Press were scanned from microfilm owned by Emory University, which was made from original copies held by the Historical Society of Pennsylvania.
Matilda Heron was born in poverty in Labby Vale, Draperstown, Ireland in 1830 and came to the U.S. as a child.
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