Born November 13th, 1833 in Maryland, Edwin Booth had an affinity for the acting world; he was named after the actors Edwin Forrest and Thomas Flynn, and his father, Junius, was a British actor who
In this unsigned entry, written as a letter to the General, the writer discusses the acting styles of Booth and Forrest and his general displeasures with male actors' abilities to perform human emotions. He claims their biggest trick is to add much noise to their performances as a substitute for emotion. The writer also discusses a February 14, 1858, performance of Lady Tartuffe he was present for at the Theatre Francais in Paris. The Fueilleton concludes with the printing of "the Peorian muse's" poem in honor of Adelina Patti (3).
Figaro asks why anyone would spend more to see Booth or Forrest perform when there is plenty to see at Barnum's. Also discusses his failure, as well as other male actors', to accurately represent human emotions. Discusses his performance as Richelieu (3).
An electronic version of this text was previously available in CONTENTdm and has been migrated to Lehigh University's Digital Collections. Reconstruction of direct links to individual articles is in progress. In the meantime, browse issues of the Saturday Press in the Vault at Pfaff's Digital Collection. Page images of The New York Saturday Press were scanned from microfilm owned by Emory University, which was made from original copies held by the Historical Society of Pennsylvania.
Born November 13th, 1833 in Maryland, Edwin Booth had an affinity for the acting world; he was named after the actors Edwin Forrest and Thomas Flynn, and his father, Junius, was a British actor who
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