Ada Clare (whose given name was Jane McIlheny) was born in South Carolina.
Clare begins her column with a discussion of the conclusion of Miss Harriett Prescott's "Amber Gods" in the Atlantic Monthly. Clare also draws attention to Rose Terry's "humorous sketch" "Matilda Muffin" in the same magazine. Clare discusses the current roles of literary men and women and her desire to be addressed as "an highly intelligent being without any weaknesses" by men who seek to chastise her in the press (2). Clare then engages in a long discussion of fathers in the abstract and their relations to their children. Clare highlights the father's antagonistic relationship to his son versus his loving relationship with his mother, citing the father's poor start as a cause. Clare claims that men see their wives as "mere childbearing creatures," an attitude their children sense and resent (2). Clare discusses the possibilities for the harmony of the family if men could change their views on their wives and children.
An electronic version of this text was previously available in CONTENTdm and has been migrated to Lehigh University's Digital Collections. Reconstruction of direct links to individual articles is in progress. In the meantime, browse issues of the Saturday Press in the Vault at Pfaff's Digital Collection. Page images of The New York Saturday Press were scanned from microfilm owned by Emory University, which was made from original copies held by the Historical Society of Pennsylvania.
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