Born in Massachusetts to a family of merchants and seamen, Clapp traveled to Paris to translate the socialist writing
This column discusses the "Trinity of Imagination" formed by Poetry, Painting, and Sculpture, and the "foe" to these artforms in the practice of "hero-worship." The column discusses the tendency of young artists to follow old models to express their ideas rather than follow new, imaginative, and individual courses. The column cites modern Architecture and Poetry as fields that generally fall to the practice of the use of old models and forms.
An electronic version of this text was previously available in CONTENTdm and has been migrated to Lehigh University's Digital Collections. Reconstruction of direct links to individual articles is in progress. In the meantime, browse issues of the Saturday Press in the Vault at Pfaff's Digital Collection. Page images of The New York Saturday Press were scanned from microfilm owned by Emory University, which was made from original copies held by the Historical Society of Pennsylvania.
Born in Massachusetts to a family of merchants and seamen, Clapp traveled to Paris to translate the socialist writing
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