Remembered as "a man of brilliant talent and singular charm," Edward Wilkins' career included the roles of editorial
The Feuilleton begins with a series of letters to the Editor about Personne's remarks in the Saturday Press; the most notable contributions are those by Anna Maria and on behalf of Whiskers. After these letters, Personne discusses the upcoming performance of the unknown Cortesi in Sappho. Personne also mentions that Miss Heron is in town and has done Tiemann a favor by perfoming in his benefit for Eddy at Niblo's. Personne writes that Laura Keene's Theatre and Wallack's have ended "unusually prosperous" seasons and talks about the new productions and actors at each theatre. Personne also makes a brief mention of opera news and critics.
Personne reports that Miss Heron has returned to town and has done Tiemann a favor by appearing in his benefit for Eddy at Niblo's (2).
Personne writes that Wallack's and Laura Keene's Theatres have closed "unusually prosperous" seasons (2).
The Feuilleton consists of letters to the Editor about Personne's writing in the Saturday Press (2).
Personne writes that Wallack's and Laura Keene's Theatres have closed "unusually prosperous" seasons (2).
The Feuilleton consists of letters to the Editor about Personne's writing in the Saturday Press (2).
An electronic version of this text was previously available in CONTENTdm and has been migrated to Lehigh University's Digital Collections. Reconstruction of direct links to individual articles is in progress. In the meantime, browse issues of the Saturday Press in the Vault at Pfaff's Digital Collection. Page images of The New York Saturday Press were scanned from microfilm owned by Emory University, which was made from original copies held by the Historical Society of Pennsylvania.
Remembered as "a man of brilliant talent and singular charm," Edward Wilkins' career included the roles of editorial
Matilda Heron was born in poverty in Labby Vale, Draperstown, Ireland in 1830 and came to the U.S. as a child.
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