Born in County Cork and raised primarily in Limerick, Ireland, Fitz-James O'Brien moved to New York City in 1852.
O'Brien devotes the column to the discussion of the role of Hamlet. This discussion is prompted by Barry Sullivan's appearance in this role at Burton's. O'Brien engages in a lengthy character study of Hamlet and claims that Hamlet would have been a Bohemian if he hadn't been a prince. After examining some scenes and briefly discussing pre-Raphaelitism, O'Brien claims that Sullivan is "not Hamlet on the stage" and laments that he does not have more space to critique his performance.
(Unclear if O'Brien is referring to this Mr. Wallack) O'Brien cites him as an example of an actor "who has the courage to utterly and entirely lose himself in his part" (3).
An electronic version of this text is available in a CONTENTdm viewer. Page images of The New York Saturday Press were scanned from microfilm owned by Emory University, which was made from original copies held by the Historical Society of Pennsylvania.
Born in County Cork and raised primarily in Limerick, Ireland, Fitz-James O'Brien moved to New York City in 1852.
Matilda Heron was born in poverty in Labby Vale, Draperstown, Ireland in 1830 and came to the U.S. as a child.
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