Mentioned in Walt Whitman the Man

Born in Massachusetts to a family of merchants and seamen, Clapp traveled to Paris to translate the socialist writings of Fourier. In Paris, Clapp abandoned his ardent sympathy for the temperance movement and embraced the leisurely café life of the city. Upon returning to New York in 1850, he sought to recreate this atmosphere, spending hours at Charlie Pfaff's beer cellar, drawing a crowd of journalists, painters, actors, and poets to cultivate an American Bohemia in which participants admired and discussed the work of Edgar Allan Poe, Charles Dickens, and Washington Irving (Martin 15-7).

Born in Albany, Abraham Oakey Hall lost his father to yellow fever at the age of three and entered the public school system. He excelled in journalism from an early age, and his earnings from contributions to various periodicals helped him pay for his education at the University of the City of New York. By 1844 Oakey had received a B. A. and an M. A., followed by a semester of study at Harvard Law School. His studies at Harvard were cut short, possibly due to a lack of money, and he went to work at Charles W. Sanford’s New York City law office (Carman).

While not much is known about the early life of Edward Mallen, he is remembered as an artist and frequenter of Pfaff's. William Winter identifies "Edward F. Mullen" as one of the artists who frequented Pfaff’s Cave along with Launt Thompson, George Boughton, and Sol Eytinge, Jr. (Old Friends 66, 88). Walt Whitman, a close friend of his, is also quoted as saying that "Mullin" was "among the leaders" at Pfaff’s (Bohan 134; T. Donaldson 208-209).

Charles Pfaff's obituary in the New York Times characterizes him as the proprietor of the famous Bohemian "chop house" at 647 Broadway that flourished between 1860 and 1875 ("In and About the City," 2). Born in Baden, Switzerland likely in 1819, Pfaff first arrived in New York in the early 1850s "part of a wave of German immigrants" (Blalock; Martin 18). According to scholar Justin Martin, "Herr Pfaff was a round little man with shaggy eyebrows and chubby fingers. His Old World manner and thickly accented English gave him a courtly and discreet air" (18).

Walt Whitman mentions Stanley as one of the people who frequented Pfaff’s: “Our host himself, an old friend of mine, quickly appear’d on the scene to welcome me and bring up the news, and, first opening a big fat bottle of the best wine in the cellar, talk about ante-bellum times, ’59 and ’60, and the jovial suppers at his then Broadway place, near Bleecker street. Ah, the friends and names and frequenters, those times, that place. Most are dead--Ada Clare, Wilkins, Daisy Sheppard, O’Brien, Henry Clapp, Stanley, Mullin, Wood, Brougham, Arnold--all gone.

Richard Henry Stoddard's early years were rather Dickensian. After his sea-captain father was lost at sea, Stoddard endured a life of poverty that led him to move with his mother to New York City in 1835. There he worked at a number of odd jobs before being employed, at age eleven, in an iron foundry. An autodidact who read voraciously in his youth, Stoddard published his first book of poems, Footprints (1849), after befriending Bayard Taylor--who introduced Stoddard to his future wife, Elizabeth Drew Barstow, herself an author of both fiction and poetry.

Born on Long Island and raised in Brooklyn, Walt Whitman spent his childhood and early adulthood amid the sights and sounds of New York City and its environs. As a young man Whitman worked as a journeyman printer for several New York newspapers, before ultimately becoming a journalist and editor in his own right. Before committing himself to poetry, Whitman also worked intermittently as a schoolteacher, a carpenter, and a writer of sensational prose fiction.