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Mentioned in Walt Whitman: The Song of Himself

Born in Portsmouth, New Hampshire, Thomas Bailey Aldrich moved with his father to New Orleans, Louisiana at the age of three. He remained there until age thirteen, when his father's impending death prompted Aldrich's return to New Hampshire and his mother's household (Parker). At age sixteen, Aldrich started working as a clerk for his uncle, Charles Frost: "While working over the books of the firm, his mind was often busy with themes outside of the commission house, all leading towards a literary career" (Hemstreet 218).

Though many details about his early life are in dispute, scholars agree that Arnold was born in New York City and that his father may have been the Reverend George B. Arnold. The family relocated to Illinois and then to Monmouth County, New Jersey where Arnold enjoyed a country upbringing. Though he apprenticed himself to a portrait painter in New York in 1852, Arnold soon determined that literature would be his true calling.

Not much is known about Juliette Beach’s early and later life. We know that she and her husband, Calvin were acquaintances of Henry Clapp. The couple may have visited Pfaff's during their occasional sojourns to New York City. We know, also, that Beach was a contributor for the Saturday Press (Loving 568). Much more, however, is known about the controversy over a review of Leaves of Grass, and there has been much speculation surrounding the true nature of Beach’s relationship to the poet.

Little is known about the specific details of Charles Chauncey’s early life. We know that, along with Walt Whitman, he was one of several men who made up the Fred Gray Association, "a loose confederation of young men who seemed anxious to explore new possibilities of male-male affection" (Folsom and Price Re-Scripting 62). Stephanie Blalock, when describing the Fred Gray Association, lists Chauncey as one of the many members of the group that were later included in Whitman’s memory book (179).

Born in Massachusetts to a family of merchants and seamen, Clapp traveled to Paris to translate the socialist writings of Fourier. In Paris, Clapp abandoned his ardent sympathy for the temperance movement and embraced the leisurely café life of the city. Upon returning to New York in 1850, he sought to recreate this atmosphere, spending hours at Charlie Pfaff's beer cellar, drawing a crowd of journalists, painters, actors, and poets to cultivate an American Bohemia in which participants admired and discussed the work of Edgar Allan Poe, Charles Dickens, and Washington Irving (Martin 15-7).

Ada Clare (whose given name was Jane McIlheny) was born in South Carolina. As Thomas Gunn, a contemporary of Clare, describes she "made an attempt – several attempts – to become a tragic actress, but despite any amount of puffery on the part of fellows who knew her (or wanted to know her in a scriptural sense) failed. She had money and aspired for 'fame' only" (Gunn vol. 11, 160). She received a small inheritance upon her parents' deaths, which she used to travel to Paris.

On March 25, 1862, Walt Whitman received a letter addressed to him at Pfaff's and signed by "Ellen Eyre." The signature "Ellen Eyre" has long been thought to be the assumed name of an unknown female writer. The note reads as a love letter to the poet from a woman who knows him quite well. During the twentieth century, a number of historians took the letter to be evidence of a romantic tryst between Whitman and one of several candidates from the Bohemian circle and New York theatrical communities. The most commonly suggested identities for the writer of this letter were Ada Clare, Mrs.

Born into an anti-slavery family of eight children, Howells aided his family by setting type in his journalist father's printing office. Though he never finished high school, Howells would later receive honorary degrees from six universities as well as the offer of Ivy League professorships. Howells published frequently in the Saturday Press (Belasco 252) and was one of the “foremost writers of fiction” in novel form. Percy Holmes Boynton puts him in the company of such writers as Mark Twain, Bret Harte, and Walt Whitman in being “scrupulously careful writers” (49).

Adah Menken, an actress "not known for her talent, but rather for her frenetic energy, her charismatic presence, and her willingness to expose herself," was born in a suburb of New Orleans (Richards 192). Adah’s given name was probably Adah Bertha Theodore, but conflicting accounts of her early years and parentage (many generated by herself for publicity purposes) make it difficult to say with certainty.

Born in County Cork and raised primarily in Limerick, Ireland, Fitz-James O'Brien moved to New York City in 1852. Descending from an Anglo-Irish landholding family, O'Brien received his inheritance (estimated at £8000) at about the age of 21. Between 1849 and 1851, it is believed that O'Brien edited a failed literary magazine called The Parlour Magazine of the Literature of All Nations and squandered his inheritance (Wolle 21). Leaving England almost penniless, O'Brien immigrated to America and made the U.S.

On October 23, 1858, Henry Clapp, Jr., published the inaugural issue of The Saturday Press.

Born in Connecticut, Stedman’s merchant father died leaving the small child in the care of his mother, maternal grandfather, and lawyer uncle. Stedman’s childhood passed between his grandfather’s New Jersey farm and his uncle’s Connecticut residence. Much of Stedman’s literary education likely came from his mother, who herself was an author of both verse and essay. Stedman’s juvenilia consists of poetry inspired by the Romantics and Tennyson. He attended Yale University but was expelled after a youthful indiscretion.

In "Whitman Pursued," Emory Holloway describes Frank Sweeney as someone with whom Walt Whitman discussed his relationship with the mysterious Ellen Eyre. Whitman mentions Sweeney in one of his many notebook listings of the men of the city he knew: "Frank Sweeney (July 8th ’62), 5th Ave. Brown face, large features, black moustache (is the one I told the whole story to about Ellen Eyre)--talks very little" (Holloway, “Whitman” 7). Holloway explains that "[w]ho Sweeney was can only be conjectured.

John Swinton’s family relocated from his native Scotland in 1843, settling in Montreal, Canada, where Swinton worked as an apprentice in the printing industry. Though he briefly entered Williston Seminary in 1853, Swinton’s commitment to journalism led him across the United States; he worked on the Lawrence Republican in Kansas in 1856 as well as the New York Times after he moved to that city.

Born in small-town New England, Charles Browne began his career as a young contributor to the Boston Carpet Bag, a humor magazine, and later at Cleveland’s The Plain Dealer he adopted the persona of circus showman Artemus Ward. As Ward, he began writing letters from this fictional character whose travels inspired social commentaries, satires, and burlesques.

Born on Long Island and raised in Brooklyn, Walt Whitman spent his childhood and early adulthood amid the sights and sounds of New York City and its environs. As a young man Whitman worked as a journeyman printer for several New York newspapers, before ultimately becoming a journalist and editor in his own right. Before committing himself to poetry, Whitman also worked intermittently as a schoolteacher, a carpenter, and a writer of sensational prose fiction.

Remembered as "a man of brilliant talent and singular charm," Edward Wilkins' career included the roles of editorial writer, musical and dramatic critic, and playwright. He was raised in Boston where he began his journalism career.

The unofficial biographer of the Pfaff’s crowd, William Winter was born in coastal Massachusetts, and his mother died when he was young. Winter attended school in Boston; he also went to Harvard Law School but decided not to practice ("William Winter, 19). By 1854 he had already published a collection of verse and worked as a reviewer for the Boston Transcript; he befriended Pfaffian Thomas Bailey Aldrich after reviewing a volume of his poetry. He relocated to New York in 1856 "because he believed [the city] offered the best field for writers" (Levin 153).