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Born in Portsmouth, New Hampshire, Thomas Bailey Aldrich moved with his father to New Orleans, Louisiana at the age of three. He remained there until age thirteen, when his father's impending death prompted Aldrich's return to New Hampshire and his mother's household (Parker). At age sixteen, Aldrich started working as a clerk for his uncle, Charles Frost: "While working over the books of the firm, his mind was often busy with themes outside of the commission house, all leading towards a literary career" (Hemstreet 218).

Though many details about his early life are in dispute, scholars agree that Arnold was born in New York City and that his father may have been the Reverend George B. Arnold. The family relocated to Illinois and then to Monmouth County, New Jersey where Arnold enjoyed a country upbringing. Though he apprenticed himself to a portrait painter in New York in 1852, Arnold soon determined that literature would be his true calling.

Born in Massachusetts to a family of merchants and seamen, Clapp traveled to Paris to translate the socialist writings of Fourier. In Paris, Clapp abandoned his ardent sympathy for the temperance movement and embraced the leisurely café life of the city. Upon returning to New York in 1850, he sought to recreate this atmosphere, spending hours at Charlie Pfaff's beer cellar, drawing a crowd of journalists, painters, actors, and poets to cultivate an American Bohemia in which participants admired and discussed the work of Edgar Allan Poe, Charles Dickens, and Washington Irving (Martin 15-7).

Edward Howard House, also known as “Ned,” was born near Boston and became a musical prodigy under his pianist mother's tutelage. Her early death turned him to his father's trade, that of a bank-note engraver. He gained standing in the world of Boston literati, and eventually moved to New York to work as the drama critic for the Tribune (61). As a contributor to the Saturday Press, House wanted to create a dialogue supporting his anti-slavery beliefs, but Editor Henry Clapp opposed it (Lause 109).

Born into an anti-slavery family of eight children, Howells aided his family by setting type in his journalist father's printing office. Though he never finished high school, Howells would later receive honorary degrees from six universities as well as the offer of Ivy League professorships. Howells published frequently in the Saturday Press (Belasco 252) and was one of the “foremost writers of fiction” in novel form. Percy Holmes Boynton puts him in the company of such writers as Mark Twain, Bret Harte, and Walt Whitman in being “scrupulously careful writers” (49).

Born in County Cork and raised primarily in Limerick, Ireland, Fitz-James O'Brien moved to New York City in 1852. Descending from an Anglo-Irish landholding family, O'Brien received his inheritance (estimated at £8000) at about the age of 21. Between 1849 and 1851, it is believed that O'Brien edited a failed literary magazine called The Parlour Magazine of the Literature of All Nations and squandered his inheritance (Wolle 21). Leaving England almost penniless, O'Brien immigrated to America and made the U.S.

On October 23, 1858, Henry Clapp, Jr., published the inaugural issue of The Saturday Press.

A former teacher, Charles Bailey Seymour moved from London to New York City in 1849. In New York, he began working as the dramatic and musical editor for the New York Times. In 1858, Seymour published the book Self-Made Men. The book, which won him a certain degree of fame, was "a collection of short biographies of British and American subjects that included [Henry] Clapp's old mentor, Elihu Burritt" (Lause 48).

Charles Dawson Shanly emigrated to New York City from Ireland via Canada and was working as the Assistant Secretary of the Department of Public Works in 1857. In New York City during the late 1850s and 1860s, Shanly was productive as a journalist and editor at such publications as Vanity Fair, Mrs. Grundy, the New York Leader, the Atlantic Monthly, and the New York Saturday Press.

Born in Connecticut, Stedman’s merchant father died leaving the small child in the care of his mother, maternal grandfather, and lawyer uncle. Stedman’s childhood passed between his grandfather’s New Jersey farm and his uncle’s Connecticut residence. Much of Stedman’s literary education likely came from his mother, who herself was an author of both verse and essay. Stedman’s juvenilia consists of poetry inspired by the Romantics and Tennyson. He attended Yale University but was expelled after a youthful indiscretion.

Richard Henry Stoddard's early years were rather Dickensian. After his sea-captain father was lost at sea, Stoddard endured a life of poverty that led him to move with his mother to New York City in 1835. There he worked at a number of odd jobs before being employed, at age eleven, in an iron foundry. An autodidact who read voraciously in his youth, Stoddard published his first book of poems, Footprints (1849), after befriending Bayard Taylor--who introduced Stoddard to his future wife, Elizabeth Drew Barstow, herself an author of both fiction and poetry.

Born in small-town New England, Charles Browne began his career as a young contributor to the Boston Carpet Bag, a humor magazine, and later at Cleveland’s The Plain Dealer he adopted the persona of circus showman Artemus Ward. As Ward, he began writing letters from this fictional character whose travels inspired social commentaries, satires, and burlesques.

Remembered as "a man of brilliant talent and singular charm," Edward Wilkins' career included the roles of editorial writer, musical and dramatic critic, and playwright. He was raised in Boston where he began his journalism career.

The unofficial biographer of the Pfaff’s crowd, William Winter was born in coastal Massachusetts, and his mother died when he was young. Winter attended school in Boston; he also went to Harvard Law School but decided not to practice ("William Winter, 19). By 1854 he had already published a collection of verse and worked as a reviewer for the Boston Transcript; he befriended Pfaffian Thomas Bailey Aldrich after reviewing a volume of his poetry. He relocated to New York in 1856 "because he believed [the city] offered the best field for writers" (Levin 153).