Mentioned in Bohemians and Critics: American Theatre Criticism in the Nineteenth Century

Though many details about his early life are in dispute, scholars agree that Arnold was born in New York City and that his father may have been the Reverend George B. Arnold. The family relocated to Illinois and then to Monmouth County, New Jersey where Arnold enjoyed a country upbringing. Though he apprenticed himself to a portrait painter in New York in 1852, Arnold soon determined that literature would be his true calling.

A group of intimate friends smaller than the group of bohemians at Pfaff's. The club was formed in 1856 and had rooms on the south side of East Houston Street. Members were "actors, writers, and artists" who "met regularly for dinner and conversation" (Miller 44). John Brougham was the president; other members included Fitz-James O'Brien, Ned Wilkins, Henry Clapp, Jr., and Mark Smith. Their motto was "Honey Soit". O'Brien describes them as a gay, lively, and witty crowd who were feared by the theatrical world because of their clever ridicule of plays (Wolle 131-32).

Born November 13th, 1833 in Maryland, Edwin Booth had an affinity for the acting world; he was named after the actors Edwin Forrest and Thomas Flynn, and his father, Junius, was a British actor who took Edwin with him on theatrical tours of the United States. Father and son developed a close relationship, although "to see to it that that erratic genius [Junius] did not break his engagements, murder someone, or commit suicide during his times of intoxication and half-insanity was a heavy responsibility for the fragile youth and made [Edwin] grave, serious, and melancholy beyond his years.

Born in Ireland, John Brougham originally pursued a surgical career at the Peter Street Hospital in Dublin. A change in fortune resulted in his decision to move to England and become an actor in 1830. He was associated with London's Tottenham Street Theatre, the Olympic Theatre, and became manager of the London Lyceum in 1840. Brougham produced over 100 works and is remembered for his comedic playwriting and acting.

Born in Massachusetts to a family of merchants and seamen, Clapp traveled to Paris to translate the socialist writings of Fourier. In Paris, Clapp abandoned his ardent sympathy for the temperance movement and embraced the leisurely café life of the city. Upon returning to New York in 1850, he sought to recreate this atmosphere, spending hours at Charlie Pfaff's beer cellar, drawing a crowd of journalists, painters, actors, and poets to cultivate an American Bohemia in which participants admired and discussed the work of Edgar Allan Poe, Charles Dickens, and Washington Irving (Martin 15-7).

Born April 7th, 1821 in New-Bedford, Massachusetts, Charles Taber Congdon began his journalistic career early in his life by cleaning the floors of the New Bedford Courier and delivering papers. Describing this period of his life, Congdon states that “a considerable portion of my infant untidiness was of printer's ink” (Congdon 10).

John Augustin Daly’s widowed mother moved the family to New York City when he was still a child. In New York, Daly quickly developed an affinity for the theatre. As a young man, he participated in amateur theatrical productions where his interests led him to the behind-the-scenes world of production and direction. Before he was twenty years of age, Daly put on a production in a rented hall in Brooklyn: "The details of this performance . . . are an epitome of his later career of alternate success and failure, met with courage, resourcefulness, and unquenchable confidence" (Quinn).

Born in England in 1811, Thomas Blades (Bladies) de Walden made his first appearance on the English stage in 1841, then traveled to New York for his premier on the American stage at Park theatre in 1844 (Wilson and Fiske 158). Identified by William Winter as a regular at Pfaff’s during the Bohemian days, de Walden was active in the New York stage community as both an actor and a playwright (Old Friends 88). Mark Lause also labels de Walden as one of the frequent actors who inhabited the vault at Pfaff’s (60).

Mary Fox (nee Hewins) was born in Hartford, Connecticut in 1842, a precocious child with an affinity for the fields of literature and drama. She ran away to join a circus as a child, but left after two weeks to embark with a theatrical company ("Mary Fox"), making her first acting appearance in Troy, New York. She later appeared at Laura Keene’s Varieties in New York (Wilson & Fiske 521), and was one of several actresses who accompanied Ada Clare to Pfaff’s (J. Browne 157).