Though many details about his early life are in dispute, scholars agree that Arnold was born in New York City and that his father may have been the Reverend George B. Arnold. The family relocated to Illinois and then to Monmouth County, New Jersey where Arnold enjoyed a country upbringing. Though he apprenticed himself to a portrait painter in New York in 1852, Arnold soon determined that literature would be his true calling.
Born November 13th, 1833 in Maryland, Edwin Booth had an affinity for the acting world; he was named after the actors Edwin Forrest and Thomas Flynn, and his father, Junius, was a British actor who took Edwin with him on theatrical tours of the United States. Father and son developed a close relationship, although "to see to it that that erratic genius [Junius] did not break his engagements, murder someone, or commit suicide during his times of intoxication and half-insanity was a heavy responsibility for the fragile youth and made [Edwin] grave, serious, and melancholy beyond his years.
Born in England in 1811, Thomas Blades (Bladies) de Walden made his first appearance on the English stage in 1841, then traveled to New York for his premier on the American stage at Park theatre in 1844 (Wilson and Fiske 158). Identified by William Winter as a regular at Pfaff’s during the Bohemian days, de Walden was active in the New York stage community as both an actor and a playwright (Old Friends 88). Mark Lause also labels de Walden as one of the frequent actors who inhabited the vault at Pfaff’s (60).
Born in Philadelphia, PA in September 1835, Rose Eytinge made her first appearance as an amateur actress in Brooklyn at the age of seventeen (Wilson and Fiske 396). Her first professional appearance was as Melanie in "The Old Guard" in a dramatic stock company in Syracuse, NY under the management of Geary Hough. She soon became "the leading juvenile woman" in the company but quickly moved on to her second professional acting engagement as the leading lady at the Green Street Theatre in Albany, NY (Eytinge 8).
Charles Desmarais Gardette was born in Philadelphia in 1830 to an aristocratic family and received his M.D. from the University of Pennsylvania in 1851 (Rawson). Soon moving from medicine to journalism, he published in the Evening Journal and Record of Philadelphia, as well as the Evening Post of New York. His work includes fiction, poetry, and essays. Like some of his compatriots at Pfaff’s, including Aldrich, Nast, Shanly, and Arnold, Gardette tried his hand at writing for children, publishing the didactic Johnnie Dodge, or, The Freaks and Fortunes of an Idle Boy in 1868.
Born to a family of tradesmen in New York City, Charles Gayler began his career as a teacher before he moved to Ohio and worked as a journalist and editor. While there, he developed an interest in politics that led him to write songs and speeches for Whig Presidential candidate Henry Clay in the 1844 election. In 1846 he married Grace Christian, with whom he had eight children. While one source suggests that his wife was actress and fellow Pfaffian Getty Gay (Rawson 103), Thomas Butler Gunn indicates that Gay was Gayler’s mistress (10.34).
A former teacher, Charles Bailey Seymour moved from London to New York City in 1849. In New York, he began working as the dramatic and musical editor for the New York Times. In 1858, Seymour published the book Self-Made Men. The book, which won him a certain degree of fame, was "a collection of short biographies of British and American subjects that included [Henry] Clapp's old mentor, Elihu Burritt" (Lause 48).
Wallack’s Lyceum was located in Broadway near Broome Street. Its productions included original works by Pfaffians John Brougham, Stephen Ryder Fiske, and Fitz-James O’Brien. The Lyceum, run by James W. Wallack, was at one time the leading theater in New York City.
The unofficial biographer of the Pfaff’s crowd, William Winter was born in coastal Massachusetts, and his mother died when he was young. Winter attended school in Boston; he also went to Harvard Law School but decided not to practice ("William Winter, 19). By 1854 he had already published a collection of verse and worked as a reviewer for the Boston Transcript; he befriended Pfaffian Thomas Bailey Aldrich after reviewing a volume of his poetry. He relocated to New York in 1856 "because he believed [the city] offered the best field for writers" (Levin 153).