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Mentioned in Diaries, Vol. 21

Aldrich, Thomas Bailey (1836-1907)

Born in Portsmouth, New Hampshire, Thomas Bailey Aldrich moved with his father to New Orleans, Louisiana at the age of three. He remained there until age thirteen, when his father's impending death prompted Aldrich's return to New Hampshire and his mother's household (Parker). At age sixteen, Aldrich started working as a clerk for his uncle, Charles Frost: "While working over the books of the firm, his mind was often busy with themes outside of the commission house, all leading towards a literary career" (Hemstreet 218).

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Clapp, Henry Jr. (1814-1875)

Born in Massachusetts to a family of merchants and seamen, Clapp traveled to Paris to translate the socialist writings of Fourier. In Paris, Clapp abandoned his ardent sympathy for the temperance movement and embraced the leisurely café life of the city. Upon returning to New York in 1850, he sought to recreate this atmosphere, spending hours at Charlie Pfaff's beer cellar, drawing a crowd of journalists, painters, actors, and poets to cultivate an American Bohemia in which participants admired and discussed the work of Edgar Allan Poe, Charles Dickens, and Washington Irving (Martin 15-7).

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Eytinge, Solomon Jr. (1833-1905)

William Winter describes Solomon Eytinge, Jr. as "[a] man of original and deeply interesting character, an artist of exceptional facility, possessed of a fine imagination and great warmth of feeling [. . .] In his prime as a draughtsman he was distinguished for the felicity of his invention, the richness of his humor, and the tenderness of his pathos. He had a keen wit and was the soul of kindness and mirth” (Old Friends 317).

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Leland, Charles Godfrey (1824-1903)

Born in Philadelphia, Charles Godfrey Leland Leland received his early schooling in Massachusetts and Philadelphia, where Bronson Alcott was one of his teachers. He contributed short poems to newspapers before the age of fifteen. After graduating from Princeton in 1846, Leland traveled to Europe and spent two years studying in Germany. In 1848 he participated in uprisings in Paris before returning to Philadelphia to study law.

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Mallen, Edward

While not much is known about the early life of Edward Mallen, he is remembered as an artist and frequenter of Pfaff's. William Winter identifies "Edward F. Mullen" as one of the artists who frequented Pfaff’s Cave along with Launt Thompson, George Boughton, and Sol Eytinge, Jr. (Old Friends 66, 88). Walt Whitman, a close friend of his, is also quoted as saying that "Mullin" was "among the leaders" at Pfaff’s (Bohan 134; T. Donaldson 208-209).

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Nast, Thomas (1840-1902)

Born in Bavaria in 1840, Nast emigrated to New York City with his mother and sister in 1846 and his father followed them in 1850. Nast’s early artistic influences were historical painter Theodore Kaufmann, with whom he began his first formal study; Alfred Fredericks, whose studio was nearby and who became a mentor to Nash and helped him gain entry to the Academy of Design, as well as Frank Leslie, the publisher of Frank Leslie’s Illustrated Weekly Newspaper who hired the sixteen-year old Nast for five dollars a week.

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Stedman, Edmund Clarence (1833-1908)

Born in Connecticut, Stedman’s merchant father died leaving the small child in the care of his mother, maternal grandfather, and lawyer uncle. Stedman’s childhood passed between his grandfather’s New Jersey farm and his uncle’s Connecticut residence. Much of Stedman’s literary education likely came from his mother, who herself was an author of both verse and essay. Stedman’s juvenilia consists of poetry inspired by the Romantics and Tennyson. He attended Yale University but was expelled after a youthful indiscretion.

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Wallack, John Lester (1820-1888)

Born in New York City on New Year’s Eve in 1820, John Lester Wallack was christened John Johnstone Wallack; he later adopted Lester John Wallack as his professional name. He first became interested in drama while being schooled in England at private schools; Wallack admits that he “hesitated long before [he] made up [his] mind to become an actor" (Memories of Fifty Years 24). Wallack made his first professional appearance in Tortesa the Usurer; he used the alias “Allan Field,” so as not to rely on the draw of his father’s name.

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