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Works by Brougham, John

Displaying 21 - 40 of 77
Brougham, John. The Demon Lover, or, My Cousin German a Romantic Comedietta in Two Acts. New York: Samuel French, 1856.
Brougham, John. Love and Murder: A Farce, in One Act. To which Are Added, a Description of the Costume---Cast of the Characters---Entrances and Exits--- Relative Positions of the Performers on the Stage, and the Whole of the Stage Business. As Performed at the New York T. New York: Samuel French, 1856.
Brougham, John. The Game of Life. An Original Comedy, in Five Acts. With Cast of Characters, Stage Business, Costumes, Relative Positions, Etc. Etc. As Performed at Wallack's Theatre. New York: Samuel French, 1856.
Brougham, John and Harriet Beecher Stowe. Dred: or, The Dismal Swamp. A Play in Five Acts. New York: Samuel French, 1856.
Brougham, John. Night and Morning: A Play, in Five Acts. Adapted from Bulwer's Novel. As Performed at Wallack's Theatre. To which Are Added, a Description of the Costume---Cast of the Characters---Entrances and Exits---Relative Positions of the Performers on the Stage, a. New York: Samuel French, 1856.
Brougham, John. The Pirates of the Mississippi. 1856.
Brougham, John. Po-ca-hon-tas, or, The Gentle Savage. In Two Acts. As Performed at Wallack's Theatre. New York and London: Samuel French, 1856.
Brougham, John. The Irish Yankee, or, The Birth-Day of Freedom: A Drama in Three Acts. New York: Samuel French, 1856.
Brougham, John. Franklin: A New and Original Historical Drama, in Five Acts. New York: Samuel French, 1856.
Brougham, John. Romance and Reality. Or, The Young Virginian. An Original Comedy, in Five Acts. To which Are Added, a Description of the Costume---Cast of the Characters---Entrances and Exits---Relative Positions of the Performers on the Stage, and the Whole of the Stage. New York: Samuel French, 1856.
Brougham, John. A Decided Case. A Dramatic Sketch, in One Act. To Which Are Added, a Description of the Costumes---Cast of the Characters---Entrances and Exits---Relative Positions of the Performers on the Stage, and the Whole of the Stage Business. New York: Samuel French, 1857.
Watson, Henry Cood and John Brougham. The Rose of Tralee. 1857.
Brougham, John. Karmel, the Scout; or, The Rebel of the Jerseys. 1857.
Brougham, John. Shakespeare's Dream: An Historic Pageant with an Allegorical Introduction. New York: Samuel French, 1858.
Brougham, John. The Miller of New Jersey; or, The Prison-Hulk. An Historical Drama-Spectacle, in Three Acts. To which Are Added a Description of the Costume---Cast of the Characters---Entrances and Exits---Relative Positions of the Performers on the Stage, and the Whole. New York: Samuel French, 1858.
Brougham, John. Take Care of Little Charley. A Farce, in One Act. To which Are Added a Description of the Costume---Cast of the Characters---Entrances and Exits---Relative Positions of the Performers on the Stage, and the Whole of the Stage Business. As Performed at Wall. New York: Samuel French, 1858.
Brougham, John. The Musard Ball; or, Love at the Academy. A Contemporaneous Extravaganza, in One Act. To which Are Added a Description of the Costume---Cast of the Characters---Entrances and Exits---Relative Positions of the Performers on the Stage, and the Whole of the. New York: Samuel French, 1858.
Brougham, John and Frank Boott Goodrich. The Dark Hour Before Dawn. A Play, in Five Acts. New York: Samuel French, 1858.
Brougham, John. Columbus el Filibustero!! A New and Audaciously Original Historico-Plagiaristic, Ante-National, Pre-Patriotic, and Omni-Local Confusion of Circumstances, Running Through Two Acts and Four Centuries. New York: S. French, 1858.
Brougham, John. Much Ado About a Merchant of Venace: From the Original Text -- A Long Way. New York: Samuel French, 1858.

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