Brougham, John. Po-ca-hon-tas, or, The Gentle Savage. In Two Acts. As Performed at Wallack's Theatre. New York and London: Samuel French, 1856.
Brougham, John. The Demon Lover, or, My Cousin German a Romantic Comedietta in Two Acts. New York: Samuel French, 1856.
Brougham, John. The Irish Yankee, or, The Birth-Day of Freedom: A Drama in Three Acts. New York: Samuel French, 1856.
Brougham, John. Life in New York; or, Tom And Jerry an a Visit. A Comic Drama, in Two Acts, with Cast of Characters, Stage Business, Costumes, Relative Positions, Etc., Etc. As Performed at the Principal Theatres. New York: Samuel French, 1856.
Brougham, John. Night and Morning: A Play, in Five Acts. Adapted from Bulwer's Novel. As Performed at Wallack's Theatre. To which Are Added, a Description of the Costume---Cast of the Characters---Entrances and Exits---Relative Positions of the Performers on the Stage, a. New York: Samuel French, 1856.
Brougham, John McLenan. The Bunsby Papers (Second Series): Irish Echoes. New York : Derby & Jackson, 1856.
Brougham, John. The Red Mask: or, The Wolf of Lithuania. A Melo-Drama, in Three Acts. To which are Added, a Description of the Costume---Cast of the Characters---Entrances and Exits---Relative Positions of the Performers on the Stage, and the Whole of the Stage Business. New York: Samuel French, 1856.
Brougham, John. All's Fair in Love: An Original Dramatic Story. In Five Acts. To Which Are Added, a Description of the Costume---Cast of the Characters---Entrances and Exits---Relative Positions of the Performers on the Stage, and the Whole of the Stage Business. New York: Samuel French, 1856.
Brougham, John. A Decided Case. A Dramatic Sketch, in One Act. To Which Are Added, a Description of the Costumes---Cast of the Characters---Entrances and Exits---Relative Positions of the Performers on the Stage, and the Whole of the Stage Business. New York: Samuel French, 1857.
Brougham, John. Much Ado About a Merchant of Venace: From the Original Text -- A Long Way. New York: Samuel French, 1858.
Brougham, John. Take Care of Little Charley. A Farce, in One Act. To which Are Added a Description of the Costume---Cast of the Characters---Entrances and Exits---Relative Positions of the Performers on the Stage, and the Whole of the Stage Business. As Performed at Wall. New York: Samuel French, 1858.
Brougham, John. The Great Tragic Revival. A New and Undoubtedly Original Contemporaneous Dramatic Absurdity, in One Act and Several Tableaux. To which Are Added a Description of the Costume---Cast of the Characters---Entrances and Exits---Relative Positions of the Perfor. New York: Samuel French, 1858.
Brougham, John. The Musard Ball; or, Love at the Academy. A Contemporaneous Extravaganza, in One Act. To which Are Added a Description of the Costume---Cast of the Characters---Entrances and Exits---Relative Positions of the Performers on the Stage, and the Whole of the. New York: Samuel French, 1858.
Brougham, John and Frank Boott Goodrich. The Dark Hour Before Dawn. A Play, in Five Acts.. New York: Samuel French, 1858.
Brougham, John. Columbus el Filibustero!! A New and Audaciously Original Historico-Plagiaristic, Ante-National, Pre-Patriotic, and Omni-Local Confusion of Circumstances, Running Through Two Acts and Four Centuries.. New York: S. French, 1858.
Brougham, John. Neptune's Defeat; or, The Seizure of the Seas. A New and Curiously Original Allegoric, Mythologic, Metaphoric Filtration of Sur-Passing Events. To which Are Added a Description of the Costume---Cast of the Characters---Entrances and Exits---Relative Posit. New York: Samuel French, 1858.
The Vault at Pfaff's