An Archive of Art and Literature by the Bohemians of Antebellum New York

Bohemian Brigade; Civil War Newsmen in Action

Starr, Louis Morris. Bohemian Brigade; Civil War Newsmen in Action. New York: Knopf, 1954.
Type
book
Genre
history
Abstract

This book tells the story of a group of Civil War journalists referred to as "the Bohemian Brigade." They have a tangiential relationship to the Pfaff's bohemians and include such one-time Pfaffians as Edmund Clarence Stedman and William Swinton. Starr's book begins with a lively description of a scene in "Pfaff's Cave" on the eve of the Civil War.

A more recent telling of the story of the Bohemian Brigade can be found in James M. Perry's A Bohemian Brigade: The Civil War Correspondents--Mostly Rough, Sometimes Ready (New York: John Wiley and Sons, 2000), which does not mention the Pfaff's bohemians.

People Mentioned in this Work
Aldrich, Thomas [pages: 4,7,9,357]

Of the scene at Pfaff's, Starr writes: "If New York was not dancing on Doomsday, the Cave at 653 Broadway belied it." For one supporting example, Starr quotes Aldrich from Vanity Fair: "We were all very merry at Pfaff's" (4).

In a discussion of the idea that "To be a Bohemian afforded license for all manner of youthful exuberances," Starr mentions that Aldrich (according to Starr,of the Tribune) and O'Brien ("known, for cause, at Pfaff's as 'Fists Gammon O'Bouncer'") "experimented at 'sleeping all day and living all night'"(7).

Starr writes that in the days prior to the Civil War, like many others in New York, the "Pfaffians were exposed increasingly to the clamour of a world beyond their ken. Something like a revolution was afoot in the realm of journalism, a revolution that would lift these light-hearted pranksters from their subterranean retreat and whirl them in its vortex. Soon O'Brien, Aldrich, Thomson, Williams, and Stedman, together with others in Clapp's happy coterie--Charles G. Halpine (who stammered to fame at Pfaff's, speaking inadvertently of 'H-H-Harriet Beseecher Bestowe'), William Conant Church, William Swinton, E.H. House, Charles Henry Webb, a couple of artists, Frank H. Bellew and Thomas Nast: in all more than half of the identifiable clientele at the Cave--would take the field along with hundreds of other youths of like mind to participate in the greatest undertaking in the history of journalism" (9).

Aldrich briefly worked as a war correspondent for the Tribune. Starr also writes that like his friend Stedman, Aldrich "looked back with incredulity at his Bohemian days at Pfaff's" (357).

Church, William [pages: 110]

After getting shot in the leg while reporting on a Civil War battlefield, Starr writes that Church "produced an account to make Charles Pfaff proud of him."

Clare, Ada [pages: 5]

Starr claims that one of the attractions of Pfaff's for newspaper reporters and artists for the weeklies was the opportunity to "pay homage to the 'Queen of Bohemia,' Ada Clare (5). Whitman called Clare "the new Woman," and had recently returned from a trip to Paris "aboard a steamer which bore the entry on its passenger list: Miss Ada Clare, and son." Starr quotes Clare's response: "'A Bohemian is not, like the creature of society, a victim of rules and customs,' she explained with candescent charm, 'he steps over them all with an easy, graceful, joyous unconsciousness'" (5).

Curtis, George [pages: 235]

Starr writes that Curtis, editor of Harper's Weekly, suggested privately during the attacks on the Tribune by the Herald "that Gay issue 'an edict that the existance of the Herald shall never be recognized in or by the Tribune in any way.'" He also proposed that Gay "let the worthy old Scot [Hudson] lie and rave as much as he likes...There are some animals that...cannot be touched or fought, for even if you hit and kill them they make you smell dreadfully" (235).

Greeley, Horace [pages: vii,viii,4,6,8,11,14,15,17-19,32-33,34-35,52-55,69,70,71n,77,96-97,99,100,104,116,117-118,124-125,127,128,129,157,159,166,169,195,196]

Starr claims that the history of journalism tends to be slanted towards examining the editorial process; Starr claims "we have more studies of Horace Greeley than of all the newsmen in his century" (vii). Starr also writes that Greeley's New York Tribune is an "archetype among newspapers of the day," and uses this paper to help focus the narrative of his history (viii).

Clapp's opinion of Greeley was as follows: "He is a self-made man who worships his creator" (4).

Of the increasing pace of the news and the press' emphasis on opinions rather than facts, Starr notes that Greeley realized that "the paper that brings the quickest news is the thing looked to." Starr also notes that the emphasis on editorial commentary helped to contribute to Greeley's fame (6).

Southern postmasters refused to deliver the Tribune and sedition laws were passed against the paper in Texas because of the letters from Charleston that were printed in the paper. In one instance, a Georgia editor invited Greeley to visit "the land you have lied and re-lied on" in a poem that ended:
"You can lower your chin, and open your mouth,
While your neck strains the rope you are tied on" (8).

Starr refers to Greeley, Raymond and Bennett as "those titans of newspaperdom" and notes that their offices were all located in a small area of New York near City Hall Park. Theirs were the "only eight-page dailies in the United States" and were vital news sources for the country (11).

Starr writes that visitors came to the Tribune offices "daily, during the afternoon visiting hours, hoping for a glimpse of Greeley's fabled white coat." Starr recounts the visit of Albert Deane Richardson during this time period and notes that although many came to catch a glimpse of Greeley, Richardson was unable to see him as Greeley was on a lecture tour and Dana often managed visitors and office business (14). According to Starr, Dana was "Blunt, decisive, by turns profane and charming, a Brook Farm idealist annealing into a man of the world after years of exposure to Greeley's irascible ways and the bitter disillusionment of a trip to Europe during the revolutions of 1848, he ran the paper with an iron hand. On more than one occasion he had thrown out Greeley's abstractions from Washington to make way for news -- once for a divorce story. It was the talk down in Pfaff's that he edited Greeley's editorials as well, and the Sunday Mercury hinted that he had been known to veto them" (15).

Of Greeley's fame, Starr writes: "Already the myth of Horace Greeley, the moralist in shining armor, the poor Vermont boy with a hatful of type who had worked hard and lived right and made good, the homely philosopher, the eccentric personality, the national oracle, towered almost frighteningly over the man himself. 'His entrance into a tavern, much more into a lecture hall, raises gratulating shouts,' Ralph Waldo Emerson wrote, 'and I could scarcely keep the people quiet to hear my abstractions, they were so furious to shout Greeley! Greeley! Greeley! Catch me carrying Greeley into my lecture again!...I had as lief travel with...Barnum" (17-18). Part of Greeley's fame was the uniqueness of the Tribune, as "the paper seemed to suggest that its readers were as sophisticated as its editors, and that they shared the world between them." In addition, "Backed by Greeley's willingness to give battle for a cause, his broad humanitarianism, and his remarkable talent for getting himself on newsprint, the paper's fighting qualities kindled something like personal devotion. The Tribune was scarcely a newspaper in 1861; it was an article of faith" (17). Starr also notes that during the height of the Tribune's popularity, "people thought Greeley still edited the Tribune, and every word that went into it -- 'including shipping news,' Charles Congdon added wryly. But the Tribune, with 212 employees, including twenty-eight editors and reporters in 1861, was no more pure Greeley than was the myth he had become" (18). According to Starr, Greeley had the talent of attracting talented writers to the Rookery to cover for his own personal shortcomings; at the Rookery, Greeley "created an atmosphere in which they thrived; yet, in a sense, he was their prisoner." According to Starr, the staff of the paper kept the Tribune committed to anti-slavery while Greeley's own stance wavered and he sometimes feared what the editorials would say (18).

According to Starr, at the Tribune "Their [the staff's] loyalty was not to Greeley's politics, but to his idea of journalism...Such men gave superb implementation to Greeley's credo: that the newspaper must provide American society with leadership -- moral, political, artistic, and intellectual leadership -- before anything else" (19). Sensing changes in the newspaper industry, Greeley moved out of the office he shared with Dana in 1854 and moved to a more remote portion of the building, leaving Dana in "practical command" (19).

As the press sped up and "the leisurely days when one might edit with an eye for literary niceties and philosophical disputation were gone," Starr asks "How would the Tribune fare in this era?" He claims that the paper did not change much, with "Greeley and Dana serenely running news inside and advertising out; the most exciting paper in politics seemed to be the most conservative in journalism. There was another sign, more momentous, that the Tribune would go right no being the Tribune, come what may." This event was the loss of the Tribune's Washington correspondent, Pike, to the foreign service. Greeley sent Dana to Washington to hire a replacement and hired Fitz Henry Warren. Despite his loud nature and commanding presence, "Warren appeared to fit Greeley's bill of particulars" in his involvement in politics and anti-slavery stance and his past newspaper writing career (32-33).

In discussing the Tribune's error in its "On to Richmond" campaign, Starr defends the logic of the failed strategy but discusses the repercussions for Greeley and the paper. According to Starr, "Now Horace Greeley was a broken man. He took to his bed with an attack of 'brain fever,' visions of death flitting before him. He wrote to Lincoln: 'This is my seventh sleepless night.' He would 'second any movement you may see fit to make,' but he despaired of the Union cause. Dana loosed a thunderclap in his absence, an editorial demanding the resignation of the entire Cabinet. Agonized, Greeley publicly repudiated it. Fitz Henry Warren's letter of resignation, assuming the burden of responsibility for 'On to Richmond,' he quite properly refused to print. Rallying to one of his finer moments, Greeley wrote an editorial titled 'Just Once,' acknowledging his responsibility for what appeared in his paper, offering himself as a national scapegoat, coming to grips with what was the real 'great error' of the Tribune in a paragraph that read:

Henceforth I bar all criticism in these columns on Army movements, past or future...Correspondents and reporters may state fact, but must forebear comments.

According to Starr, Greeley made sure that his Washington correspondent Sam Wilkeson was sure that he was serious about this point, insisting that he wanted distance between news and opinion: "I want a man at Washington to find out all that is going on or preparing and calmly report it, writing Editorials separately, to be submitted to criticism and revision here, instead of embodying them in dispatches..." According to Starr, "Objectivity was a principle all but unknown to journalism, but if the results of Greeley's change of heart were difficult to discern in Tribune dispatches, the seed had been planted" (52-53). The error in the "On to Richmond" campaign caused the circulation of the paper to drop significantly, and Greeley was remarked negatively upon as "General Horace." While the paper still had the largest circulation, the Sunday edition was discontinued and the paper's influence was weakened (54-55). According to Starr, Dana, not Greeley, was primarily responsible for beginning the "On to Richmond" campaign, as Greeley was not in the office when Dana ran Warren's piece that called for the Union army to advance (34-35).

In one of Dr. Malcolm Ives's editorials in the Herald the "ultra Pro-Slavery Democrat, and, at the same time, a professed believer in the divinity of monarchical institutions," had "called for the arrest and imprisonment of Henry Ward Beecher, Wendell Phillips, and Greeley" (77).

According to Starr, at the Rookery (the Tribune office), one could seen "men wading through a sea of exchanges -- hundreds of dailies and weeklies sent by editors in hope that something would strike Mr. Greeley's fancy, and because they, in turn, must see the Tribune" (117).

According to Starr, when Gay took over for Dana at the Tribune, he had "inherited all of Dana's authority, and more. Greeley might cavil and carp, but he knew well enough that his managing editor must command unless he himself were to give up his lecturing, his far-flung correspondence, and his leader-writing for a job for which he had very little taste or judgment. It was enough for him that Horace Greeley and the New York Tribune remain indistinguishable int he public mind." Greeley told James R> Gilmore in the winter of 1862 that he had "relinquished control." Gilmore had never written for the paper in fear of Greeley's editing; Greeley replied, "But I have not resigned the blue pencil...You would not report to me but to Gay; and he is of your way of thinking." From then on, Greeley was only responsible for the editorials he wrote (117-118).

In a discussion of the preference of editors to keep the identities of their war correspondents anonymous or under the cover of a pen name, Starr writes about the different choice of editors. Some writers were allowed men names or initials, while editors like Bennet insisted on anonymity. Some writers, however, were allowed to identify themselves, as Starr quotes Sam Wilkeson's explanation of the "prevailing view" to Gay: "The anonymous greatly favors freedom and boldness in newspaper correspondence. I would not allow any letter writer to attach his initials to his communications, unless he was a widely known & influential man like Greeley or Bayard Taylor...Besides the responsibility it fastens on a correspondent, the signature inevitably detracts from the powerful impersonality of a journal" (195).

Starr notes that during the rivalry between the Herald and the Tribune the "poor, ragged Greeley" was often attacked, and despite council to ignore the jabs, could not always ignore the Herald (235).

Starr notes that Lincoln sought Greeley's and the Tribune's support: "having Greeley 'firmly behind me,' he wrote once, 'will be as helpful to me as an army of one hundred thousand men.'" According to Starr, Greeley "held aloof" (127), though he writes later that Greeley and other writers attempted to force Lincoln's hand (129). Under pressure from the intermediary James Gilmore who reported that Greeley was growing impatient, Lincoln would issue a proclamation in 1862 on slavery (127). Lincoln would later arrange for Greeley and the Tribune to receive insider information via Gilmore and Robert J. Walker in exchange for Greeley's public support; Starr notes that "The scheme bore little fruit for either party, and existed only briefly" (159).

Greeley attempted to persuade Villiard to soften his report of the battle at Fredericksburg, as "Greeley refused to let the Tribune assume sole responsibility for the dreadful news...but Monday morning's Tribune would carry the first authentic details of the most terrible repulse of the war" (166). After this battle, Greeley began to seriously discuss the idea of foreign mediation; this proved to be a controversial position for some, prompting Wilkeson to quit the Tribune (169, 196). Evidently Greeley's position also worried Gay, for who, according to Starr, "The constant threat of Greeley's insisting again on plumping for a negotiated peace haunted him"; Gay's job during this period was largely to "counteract" Greeley (289).

During the draft riots (July 13, 1863) that occurred in response to the conscription laws and tensions between runaway slaves and immigrant workers in New York, cries of "Tribune office to be burned tonight!" and "We'll hang Horace Greeley to a sour apple tree!" were heard (221). The mob marched to the Tribune offices that evening, where they yelled for the demise of the paper and Greeley. Greeley was in a meeting with Theodore Tilton of the Independent and informed of what was going on outside. Greeley agreed with Gay that the offices should be armed, but did not want arms brought into the building. Greeley also chose to remain in New York rather than fleeing the city for his safety; Greeley and Tilton had an dinner engagement that Greeley wished to honor. As the two men left the Tribune building, they passed through the mob untouched (222). The violence against the newspaper's offices, continued, however, with a mob of more than two thousand gathered outside; at about seven that evening, the mob began throwing pavement stones and breaking the windows of the building. The mob entered the counting-room, where they broke the furniture and began a fire that the Tribune staff fought to put out. Tom Rooker and the building engineer were positioned in the press room, ready to puncture the boilers and spray the rioters with hot water and steam. One hundred and ten police men arrived to fight the crowd, which they did, killing some of the rioters. The mob was driven out of the Tribune offices, where "Gay helped clean up the wreckage and succor the wounded until the ambulances arrived. Feeling like a Parisian during the Terror, he saw the Tribune to press, on schedule. It is described as the first day of the most violent civic disturbance in American history" (223). The rioting continued the next day (July 14), and the fighting in the streets between the mob and the army and police was more violent. Gay stayed at the Tribune offices all night and ordered that the walls be lined with reams of wet newsprint to help lower the fire hazard. The regular business of the paper - reporting and editing - continued. Gilmore brought a wagonload of old muskets from Governor's Island to protect the building, making it an "arsenal" by the time Greeley arrived. When Greeley came to the offices, he ordered the guns be removed: "Take 'em away! Take 'em away! I don't want to kill anybody, and besides they're a lot more likely to go off and kill us" (223). Starr suggests that Greeley would have thought differently of matters had he not gone home before the previous night's raid and fight. Gay ignored Greeley's orders and instead wrote a letter to his wife (a Quaker) about their escape plan and the situation at the offices as the rioters congregated in front of the offices (223-224).

During Lincoln's re-election campaign, like the President, Greeley was nearly certain that he had lost the election (323). Greeley also privately supported Chase during the election (314). By September 6, 1854, however, Greeley abandoned his plan to nominate someone else, and, as public sentiment towards Lincoln increased, the Tribune publicly announced its support of the re-election of the President (326-327). Gay and Greeley predicted early that Lincoln had carried New York during his win (333).

Extra page numbers: 221-224, 235, 239, 266, 289, 291, 292, 312, 314, 323, 326-327, 333, 348-349.

House, Edward [pages: 44, 50]

Stedman and House were war correspondents together.

Howells, William [pages: 4-5,7]

In William Dean Howell's opinion, it was as good to be published in the Saturday Press as it was to be published in the Atlantic Monthly, since despite one critic's claim that "man cannot live by snapping turtle alone," Howells admitted, in response, that "the Press was very good snapping turtle" (4-5).

In a discussion of the idea that "To be a Bohemian affored license for all manner of youthful exuberances," Starr quotes Howell's observations about the Bohemians on the night he visted Pfaff's: "[Howells} noted the arrival of a pair 'whom the others made a great clamor over; I was given to understand that they had just recovered from a fearful debauch'" (7).

O'Brien, Fitz-James [pages: 5,7,9,32]

Despite Starr's doubts that the Bohemians "resurrected" Poe for his artistic ability and more for his lifestyle, Starr does note that "Fitz-James O'Brien at his macabre best emulated Poe superbly" (5).

In a discussion of the idea that "To be a Bohemian affored license for all manner of youthful exuberances," Starr mentions that Aldrich (according to Starr,of the Tribune) and O'Brien ("known, for cause, at Pfaff's as 'Fists Gammon O'Bouncer'") "experimented at 'sleeping all day and living all night'"(7). Starr continues on about O'Brien's "youthful exuberances," calling him "improvident to a fault" and citing an incident where O'Brien picketed the office of Harper's (the bindery/publisher) with a sign reading "I AM STARVING" after being refused a loan. The publishers eventually gave in (7).

Starr writes that in the days prior to the Civil War, like many others in New York, the "Pfaffians were exposed increasingly to the clamour of a world beyond their ken. Something like a revolution was afoot in the realm of journalism, a revolution that would lift these light-hearted pranksters from their subterranean retreat ad whirl them in its vortex. Soon O'Brien, Aldrich, Thomson, Williams, and Stedman, together with others in Clapp's happy coterie--Charles G. Halpine (who stammered to fame at Pfaff's, speaking inadvertantly of 'H-H-Harriet Beseecher Bestowe'), William Conant Church, William Swinton, E.H. House, Charles Henry Webb, a couple of artists, Frank H. Bellew and Thomas Nast: in all more than half of the identifiable clientele at the Cave--would take the field along with hundreds of other youths of like mind to participate in the greatest undertaking in the history of journalism" (9).

Starr writes of the movements of the seventy-five thousand volunteers called for by Lincoln in the major Northern cities: "New York's beloved Seventh marched off amid pandemoneum on Broadway, Fitz-James O'Brien recording every step for the Tribune" (32).

Ottarson, Franklin [pages: 222,293]

During the riots of July 13-14, 1863, Ottarson is described by Starr as "Gay's first lieutennant" on the Tribune staff. When the mob advanced on the office, he was sent to find a policeman to arrest the leader of the mob who was calling for the downfall of the Tribune. The policeman arrived and promptly vanished. The mob dispursed shortly but returned in twenty minutes with larger numbers and would later break into the paper's offices (222).

Gay suspected Ottarson, England, and Wilkeson alternately of angling for his job at the Tribune amid his fears of being replaced by Greeley (293).

Pfaff, Charles [pages: 110]

After getting shot in the leg while reporting on a Civil War battlefield, Starr writes that Church "produced an account to make Charles Pfaff proud of him."

Raymond, Henry [pages: 110]

Church and Raymond worked together at the Times.

Shepherd, Nathaniel [pages: 197,198,200,204,210,216]

Shepherd traveled with Sypher, a reporter for the Tribune, who was following the Army's movements after Fredericksburg. In listing Sypher's party, Starr inlcudes "Shepherd, a poet described by a collegue as 'dignified and doleful'" (197). The party witnessed the battle at Chancellorsville and their safety seemed to be in question for the duration of the battle. Sypher wrote a scathing criticism of the battle and the General, "Fighting Joe" Hooker, that the Tribune dissociated itself from. Hooker ordered Sypher's arrest and Shepherd "was told by his staff that criticism would have consequences ugly for the critic." Sheperherd wrote about this threat to Gay in a letter dated May 15,1863. After the battle and the recovery of his reporters, Gay, managing editor of the Tribune said to Shepherd "you betray want of energy, celerity, aptness to comprehend military movements and ability to report them" (200).

June 20,1863, Shepherd was arrested on Gen. Hooker's orders for what he claimed was "a very innocent letter" and was "ordered out of the army" (204).

Shepherd was among the Tribune staff present at Gettysburg (210). During the battle, Shepherd lost touch with the other Tribune men, like Gray, "and like him convinced that the paper was hopelessly beaten, had no horse and remained on the field" (216).

Starr writes that "Something like a revolution was afoot in the realm of journalism...Soon O'Brien, Aldrich, Thomson, Williams, and Stedman, together with others in Clapp's happy coterie [...] would take the field along with hundreds of other youths of like mind to participate in the greatest undertaking in the history of journalism."

Thomson, Mortimer [pages: 7,9]

In a discussion of the idea that "To be a Bohemian affored license for all manner of youthful exuberances," Starr mentions that Thomson ("Doesticks") from the Tribune and George Forster Williams from the Times "spirited the Prince of Wales from the Fifth Avenue Hotel to a bar on Twenty-Fifth Street, where, while tumult reigned in the royal entourage as a result of his disappearance, they introduced His delighted Highness to a mint julep" (7).

Starr writes that in the days prior to the Civil War, like many others in New York, the "Pfaffians were exposed increasingly to the clamour of a world beyond their ken. Something like a revolution was afoot in the realm of journalism, a revolution that would lift these light-hearted pranksters from their subterranean retreat and whirl them in its vortex. Soon O'Brien, Aldrich, Thomson, Williams, and Stedman, together with others in Clapp's happy coterie--Charles G. Halpine (who stammered to fame at Pfaff's, speaking inadvertantly of 'H-H-Harriet Beseecher Bestowe'), William Conant Church, William Swinton, E.H. House, Charles Henry Webb, a couple of artists, Frank H. Bellew and Thomas Nast: in all more than half of the identifiable clientele at the Cave--would take the field along with hundreds of other youths of like mind to participate in the greatest undertaking in the history of journalism" (9).

Twain, Mark [pages: 246-247,260,PlateXII (ill)]

In reference to the problem of "intelligent contrabands" and incorrect reporting that occurred in the rush to get news to press during the Civil War, Mark Twain asked everyone present at an 1869 New York Press Club dinner to "raise their glasses to 'the journalist's truest friend -- the late "Reliable Contraband," one whose fervent fancy wrought its miracles solely for our enrichment and renown." Twain continued:

"...When armies fled in panic...and the great cause seemed lost beyond all hope of succor, who was it that turned the tide of war and gave victory to the vanquished? The Reliable Contraband...Who took Richmond the first time? The Reliable Contraband. Who took it every time until the last? The Reliable Contraband. When we needed a bloodless victory, to whom did we look to win it? The Reliable Contraband...Thunder and lightning never stopped him; annihilated railroads never delayed him; the telegraph never overtook him; military secrecy never crippled his knowledge...

No journalist among us can lay his hand on his heart and say he never lied with such pathos, such unction, such exquisite symmetry, such sublimity of conception and such fidelity of execution, as when he did it through and by the inspiration of this regally gifted marvel of mendacity, the lamented Reliable Contraband. Peace to his ashes!"

Mark Twain was not a war correspondent (246-247).

Starr mentions that after his days as a war correspondent, Charles Henry Webb was a close friend of Mark Twain (260).

Webb, Charles [pages: 9,43,96,121,259,260-261,266]

Starr writes that in the days prior to the Civil War, like many others in New York, the "Pfaffians were exposed increasingly to the clamour of a world beyond their ken. Something like a revolution was afoot in the realm of journalism, a revolution that would lift these light-hearted pranksters from their subterranean retreat and whirl them in its vortex. Soon O'Brien, Aldrich, Thomson, Williams, and Stedman, together with others in Clapp's happy coterie--Charles G. Halpine (who stammered to fame at Pfaff's, speaking inadvertantly of 'H-H-Harriet Beseecher Bestowe'), William Conant Church, William Swinton, E.H. House, Charles Henry Webb, a couple of artists, Frank H. Bellew and Thomas Nast: in all more than half of the identifiable clientele at the Cave--would take the field along with hundreds of other youths of like mind to participate in the greatest undertaking in the history of journalism" (9).

Starr describes him as one of the "withering realists" of the time (259).

Webb traveled with the Times and the large group of journalists that witnessed the first Battle of Bull Run (43).

Of Webb's skill, Starr writes: "Charles Henry Webb of the Times far outshone him [Smalley]. Despite a talent for mischief Webb brought with him from Pfaff's, he was a competant reporter, among the first in the North to comprehend the genius of Thomas J. Jackson." Starr prints an excerpt from Webb's report on Jackson and the battle of Cross Keys (121).

Webb, "later a close friend of Mark Twain, imparted a light touch to the correspondence of the New York Times. Webb delighted in unexpected twists in the midst of perfectly sensible recitals, ending one dispatch: 'I hope to date my next letter from Richmond,' a sentiment so trite as to be painful, adding, '-not from the tobacco factories, however'" (260-261).

Starr also notes that Webb nearly drowned while crossing a stream that was too high for the troops to cross in the spring of 1862. Starr also writes that "Unlike many of his fellows, Webb retained his perspective in writing of the enemy. 'Of the horrors and atrocities that are related as having been practiced by the Confederate troops,' he wrote, 'I must confess I do not believe one. These men are our countrymen...Are we to believe that the lapse of a year has transformed them to fiends?' This was the resolute fair-mindedness that prompted him to given Stonewall Jackson his fair due" (261).

Williams, George [pages: 7,9,161-162,277,338]

In a discussion of the idea that "To be a Bohemian affored license for all manner of youthful exuberances," Starr mentions that Thomson ("Doesticks") from the Tribune and George Forster Williams from the Times "spirited the Prince of Wales from the Fifth Avenue Hotel to a bar on Twenty-Fifth Street, where, while tumult reigned in the royal entourage as a result of his disappearance, they introduced His delighted Highness to a mint julep" (7).

Starr writes that in the days prior to the Civil War, like many others in New York, the "Pfaffians were exposed increasingly to the clamour of a world beyond their ken. Something like a revolution was afoot in the realm of journalism, a revolution that would lift these light-hearted pranksters from their subterranean retreat and whirl them in its vortex. Soon O'Brien, Aldrich, Thomson, Williams, and Stedman, together with others in Clapp's happy coterie--Charles G. Halpine (who stammered to fame at Pfaff's, speaking inadvertantly of 'H-H-Harriet Beseecher Bestowe'), William Conant Church, William Swinton, E.H. House, Charles Henry Webb, a couple of artists, Frank H. Bellew and Thomas Nast: in all more than half of the identifiable clientele at the Cave--would take the field along with hundreds of other youths of like mind to participate in the greatest undertaking in the history of journalism" (9).

Williams, a reporter for the Times wrote a piece about Sheridan's military operations that Grant liked so much he invited Williams to dine with him (277).

Williams was invited to dine with President Lincoln after he published a piece of Sheridan (161-62).

People who Created this Work
Nast, Thomas illustrator