Born November 13th, 1833 in Maryland, Edwin Booth had an affinity for the acting world; he was named after the actors Edwin Forrest and Thomas Flynn, and his father, Junius, was a British actor who took Edwin with him on theatrical tours of the United States. Father and son developed a close relationship, although "to see to it that that erratic genius [Junius] did not break his engagements, murder someone, or commit suicide during his times of intoxication and half-insanity was a heavy responsibility for the fragile youth and made [Edwin] grave, serious, and melancholy beyond his years.
Born in Ireland, John Brougham originally pursued a surgical career at the Peter Street Hospital in Dublin. A change in fortune resulted in his decision to move to England and become an actor in 1830. He was associated with London's Tottenham Street Theatre, the Olympic Theatre, and became manager of the London Lyceum in 1840. Brougham produced over 100 works and is remembered for his comedic playwriting and acting.
Son of Benjamin Franklin Butler and Harriet Allen (an alleged descendant of Oliver Cromwell), William Allen Butler was born in Albany, New York, on February 20th, 1825 (“William Allen Butler”). Butler received most of his education in New York City. Practicing law was, it seems, in the Butler bloodline; his obituary claimed that Butler’s “family was one of lawyers” stating that most of his siblings were connected to the profession (“William Allen Butler”).
Ada Clare (whose given name was Jane McIlheny) was born in South Carolina. As Thomas Gunn, a contemporary of Clare, describes she "made an attempt – several attempts – to become a tragic actress, but despite any amount of puffery on the part of fellows who knew her (or wanted to know her in a scriptural sense) failed. She had money and aspired for 'fame' only" (Gunn vol. 11, 160). She received a small inheritance upon her parents' deaths, which she used to travel to Paris.
Very little is known about Ada Clifton’s early life before she came to the stage in New York. Ireland places Ada Clifton’s debut on the New York stage in 1855 and labels her as a pupil of Mrs. Maeder (642). We do know that Clifton eventually performed with Laura Keene's company, and alongside Edwin Booth and John Brougham after joining with the company at Burton’s theatre on Broadway (Wingate 213). Clifton did star as Ophelia opposite Edwin Booth in Hamlet and also appeared in the title role of Aladdin beginning July 23, 1860 (Odell Vol.7).
Curtis was born in Rhode Island and educated in Massachusetts along with his older brother James, an influential figure in his life. When Curtis was a teenager, the family moved to New York City where he began a clerkship. Due to his growing interest in the Transcendentalist Movement, Curtis, along with his brother, resided for two years in the utopian community at Brook Farm. William Winter claims that Curtis already had the "Brook Farm ideal" in mind when he arrived there: "the ideal of a social existence regulated by absolute justice and adorned by absolute beauty" (Old Friends 228-30).
John Augustin Daly’s widowed mother moved the family to New York City when he was still a child. In New York, Daly quickly developed an affinity for the theatre. As a young man, he participated in amateur theatrical productions where his interests led him to the behind-the-scenes world of production and direction. Before he was twenty years of age, Daly put on a production in a rented hall in Brooklyn: "The details of this performance . . . are an epitome of his later career of alternate success and failure, met with courage, resourcefulness, and unquenchable confidence" (Quinn).
Born in England in 1811, Thomas Blades (Bladies) de Walden made his first appearance on the English stage in 1841, then traveled to New York for his premier on the American stage at Park theatre in 1844 (Wilson and Fiske 158). Identified by William Winter as a regular at Pfaff’s during the Bohemian days, de Walden was active in the New York stage community as both an actor and a playwright (Old Friends 88). Mark Lause also labels de Walden as one of the frequent actors who inhabited the vault at Pfaff’s (60).
Very little is know about Anne Deland’s early life. We do know that she was originally from Georgia and eventually made her way to New York to begin her career on stage (Lause 57). We also know that in 1857 she starred as Desdemona during a production of Othello in Newark and that Laura Kenne recruited Deland into New York City’s dramatic scene (57). Supporting this migration, Odell speculates that Laura Keene's company's performance of House and Home was the first appearance of Anne Deland (218).
Boston-born Ralph Waldo Emerson lost his father, a Concord minister, when he was eight years old, leaving the family in difficult circumstances. Greatly influenced by his aunt Mary Moody Emerson, who was deeply committed to the Emerson children’s education, Emerson's interest in writing grew. He worked his way through Harvard, graduating as class poet in 1821. After college, Emerson taught at a young ladies’ finishing school and then entered divinity school. Following the death of his first wife, he resigned from the ministry over doctrinal differences and began pursuing a literary career.
William Winter describes Solomon Eytinge, Jr. as "[a] man of original and deeply interesting character, an artist of exceptional facility, possessed of a fine imagination and great warmth of feeling [. . .] In his prime as a draughtsman he was distinguished for the felicity of his invention, the richness of his humor, and the tenderness of his pathos. He had a keen wit and was the soul of kindness and mirth” (Old Friends 317).
While William Henry Fry’s presence at Pfaff’s remains unconfirmed, he is listed among the many associates of Ada Clare, the “Queen of Bohemia” (Rawson). A native of Philadelphia, Fry was born into a prominent native American family to parents William and Anne (nee Fleeson) Fry. His father was the publisher of the National Gazette, and his mother was the granddaughter of Judge Plunkett Fleeson. Having displayed musical talent at an early age, Fry taught himself to play the piano after listening to his older brother's piano lessons.
Born to a family of tradesmen in New York City, Charles Gayler began his career as a teacher before he moved to Ohio and worked as a journalist and editor. While there, he developed an interest in politics that led him to write songs and speeches for Whig Presidential candidate Henry Clay in the 1844 election. In 1846 he married Grace Christian, with whom he had eight children. While one source suggests that his wife was actress and fellow Pfaffian Getty Gay (Rawson 103), Thomas Butler Gunn indicates that Gay was Gayler’s mistress (10.34).
Horace Greeley was born in 1811 near Amherst, New Hampshire, to a poor farming family. Though physically feeble, Greeley had an affinity for books and tried for a printing apprenticeship at the age of eleven. He became an apprentice three years later in Vermont, where he learned the business rapidly and sent most of his earnings to his father. Greeley went back to farm life at the age of twenty before going to seek his fortune (Appleton 734). Greeley fostered this rags-to-riches story, claiming to have arrived in New York City in 1831 with only twenty-five dollars in his pocket.
Ellen Grey made her professional acting debut on May 29, 1854 when she played Bianca in Fazio (Odell VI: 308). Before this performance, Grey may have worked as an amateur actress with the Brooklyn Dramatic Association. She performed a leading role in a version of Byron’s Sardanopolis at the Bowery in 1854. After a three year absence, she returned to the Bowery in 1857 to appear in Australia, or, the Fate of a Bushranger.
Born in Albany, Abraham Oakey Hall lost his father to yellow fever at the age of three and entered the public school system. He excelled in journalism from an early age, and his earnings from contributions to various periodicals helped him pay for his education at the University of the City of New York. By 1844 Oakey had received a B. A. and an M. A., followed by a semester of study at Harvard Law School. His studies at Harvard were cut short, possibly due to a lack of money, and he went to work at Charles W. Sanford’s New York City law office (Carman).
Matilda Heron was born in poverty in Labby Vale, Draperstown, Ireland in 1830 and came to the U.S. as a child. Matilda came to Philadelphia in 1842 with her parents and two sisters, Fanny and Agnes, where she took lessons from Peter Richings of the Walnut-street Theatre.
Best know for his portrayal of Asa Trenchard in Our American Cousin and Rip Van Winkle in Rip Van Winkle, Joseph Jefferson was one of the most popular comedians of his time. Born February 20, 1829 in Philadelphia, Jefferson was the son of actors and was introduced to the stage as a child. Jefferson made his adult debut in New York in 1849 at the age of twenty. His early New York successes led to a tour of the South and theatrical engagements in Baltimore and Philadelphia.
George Jones was born in London in 1810 and immigrated to Boston at the age of six. He made his first appearance on stage in 1828 at Boston’s Federal Street Theatre, and became manager of the Marshall Theatre in Richmond in 1839. That same year, Jones’ first wife Melinda gave birth to Avonia, who would become a popular actress. “In 1833 he was installed Count of Sertorli of the Holy Roman Empire, of the First Commander of the Imperial Order of Golden Knight and Count Palatine, and thereafter always wore in public the insignia of his knighthood” (“Queries and Answers”).
Though much of her early life, including her real name and exact date of birth, remains in shadow, Laura Keene is thought to have come from a well-to-do background. She was widely read and spent time in Turner’s studio during her childhood. After performing with Madame Vestris’ company, Keene journeyed to New York in 1852 at the invitation of James W. Wallack. She became the leading lady of his theater and enjoyed great success.